Nina Bawden Quotes
All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people.
Quotes to Explore
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We want a story that starts out with an earthquake and works its way up to a climax.
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All of my problems are rather complicated - I need an entire novel to deal with them, not a short story or a movie. It's like a personal therapy.
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A story never looks as good as when the other fellow buys it.
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It's important for cinema to keep on evolving: for people, and not only teenagers, to be able to go to a movie that has huge epic scope but has an intellectual and real story to tell.
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Every story I create, creates me. I write to create myself.
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Sometimes the kids come up with better endings than the real story.
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A good story will keep you wondering about what's happening, what's going on, where does this go? Now it's going to go that way, now it's going to go that way. It has to do that. If it's predictable, it's just boring.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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You set up the story, but the characters start talking, and they go places that you didn't expect. You have to follow.
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My problem with new writers is that it takes me five or six years to memorise the right names.
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I never want to write a book just to tell a story. There is always something deeper going on.
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It's really a sad story, and I liked that. The songs on this album talk about relationships in every aspect.
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When 5150 came out rock was king. Post Nirvana and Pearl Jam 1996 is a different story.
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There really isn't a story that you can't tell inside of it. It's very much a clearinghouse for anything that goes on in the world. So you're not at all limited.
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As a writer, I had learned a lot on 'Margin Call' about embracing the weaknesses of a narrative and of a project. A story always has an inherent narrative weakness.
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My books are character-driven. They're not driven by the story.
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I like to let the story flesh itself out, and usually, the characters make their own decisions as things get under way. Dialogue especially seems to write itself once I'm familiar with the characters and their backgrounds.
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Writers are essential. Readers are essential. Publishers are not.
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Moviewise, I would love to make the story of princess Erendira. She was a 16 year old princess/warrior who led her tribe in war against the Spanish around 1513. She almost defeated them, and the Tarascans were the only tribe the Aztecs couldn't defeat.
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When my wife passed, I stopped doing interviews and I stopped doing meet-and-greets, mostly because I sort of became this suicide ambassador. Everybody wanted to tell me their story.
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COPD includes chronic bronchitis, emphysema, or both. Over time, it makes it harder and harder to breathe because less air is able to flow in and out of the lungs.
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Don't go to college. Make videos on YouTube.
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Fifty years of isolating Cuba had failed to promote democracy, setting us back in Latin America. That's why we restored diplomatic relations, opened the door to travel and commerce, and positioned ourselves to improve the lives of the Cuban people.
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All writers are liars. They twist events to suit themselves. They make use of their own tragedies to make a better story... They are terrible people.
