Terrence McNally Quotes
Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
Quotes to Explore
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In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
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Millions of people are married. I've never picked up a paper and seen a headline that says, Man Gets Married!
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I had an apartment on Long Beach Blvd and San Vicente in Long Beach, California. That was the apartment I done 'Regulate' in. I had all my equipment set up in the bedroom, a vocal booth in the bathroom and in the closet, and that's where we created it. I had an MPC 60, a Numark mixer, and a Technics 1200, and a ton of records.
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Though social eugenics was discredited long ago, we still often think of the genome in quasi-eugenic terms. When we read about the latest discovery of a link between a gene and a disease, we imagine that we've learned the cause of the disease, and we may even think we'll get a cure by fixing the gene.
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Not obsessed with particularly Nike, but sneakers in general. I love them.
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When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
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If you're a psychologist, you can instrumentally change peoples lives for the better. But you can only do that for about 300 people to maybe a thousand people - if you're really prolific and you're working really hard.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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People pretend to be nice; people pretend to be smooth and polite and everything, but this is only an appearance because the way we're built as human beings is only in paradox and contradictions.
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We create success or failure on the course primarily by our thoughts.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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Many people dream about being an entrepreneur, starting their own business, working for themselves, and living the good life. Very few, however, will actually take the plunge and put everything they've got into being their own boss.
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The kind of thing I'm good at is knowing every politician in the state and remembering where he itches. And I know where to scratch him.
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I don't have the self-discipline for diets; I break rules I set for myself, so I try and eat more healthily, juice more, and avoid sugar.
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The way I feel about music is that there is no right and wrong. Only true and false.
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You'd have to be an idiot to say no to 'Hunger Games.'
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Ray Bradbury has a vacation house in Palm Springs, California, in the desert at the base of the Santa Rosa mountains. It's a Rat Pack-era affair, with a chrome-and-turquoise kitchen and a small swimming pool in back.
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All bad qualities centre round the ego. When the ego is gone, Realisation results by itself. There are neither good nor bad qualities in the Self. The Self is free from all qualities. Qualities pertain to the mind only.
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I always love stopping by to see what Marc Jacobs has. I will buy pieces from Bergdorf or Barneys and then hit up Zara or Topshop for the rest.
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I've never really understood why people sleep. Wasting a third of your life and becoming vulnerable for almost 8 hours every night. Doesn't seem very appealing to me.
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There's so much that I can give as a human being - and I know that.
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The act of song writing and recording became one and the same to me; because I essentially recorded everything I did from the day I began trying to write songs. I've always had a lot to say. I'd always written poems.
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When you're trying out on Broadway, it's very hectic, and you're making changes night after night. There's a lot of pressures from producers to make some changes, and you're writing for actors who are in it - and sometimes the limitations of actors who are in it.
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Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
