Terrence McNally Quotes
Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
Quotes to Explore
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In the case of my book, I don't think it's really the coming-out gay novel that everyone really needed, even though it was received as such. The boy is too creepy, he betrays his teacher, the only adult man with whom he's enjoyed a sexual experience, etc.
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Millions of people are married. I've never picked up a paper and seen a headline that says, Man Gets Married!
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I had an apartment on Long Beach Blvd and San Vicente in Long Beach, California. That was the apartment I done 'Regulate' in. I had all my equipment set up in the bedroom, a vocal booth in the bathroom and in the closet, and that's where we created it. I had an MPC 60, a Numark mixer, and a Technics 1200, and a ton of records.
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Though social eugenics was discredited long ago, we still often think of the genome in quasi-eugenic terms. When we read about the latest discovery of a link between a gene and a disease, we imagine that we've learned the cause of the disease, and we may even think we'll get a cure by fixing the gene.
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Not obsessed with particularly Nike, but sneakers in general. I love them.
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When I was releasing EPs by myself, I was generating royalties. And when I signed, I thought I'd put those royalties into other artists. And interestingly, streaming is most of the income for those artists.
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If you're a psychologist, you can instrumentally change peoples lives for the better. But you can only do that for about 300 people to maybe a thousand people - if you're really prolific and you're working really hard.
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I keep pushing buttons and trying to grow as a person and as a filmmaker.
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We create success or failure on the course primarily by our thoughts.
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When I am in Egypt, I am along for the ride - I am a privileged outsider, but an outsider nonetheless.
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Many people dream about being an entrepreneur, starting their own business, working for themselves, and living the good life. Very few, however, will actually take the plunge and put everything they've got into being their own boss.
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The kind of thing I'm good at is knowing every politician in the state and remembering where he itches. And I know where to scratch him.
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I don't have the self-discipline for diets; I break rules I set for myself, so I try and eat more healthily, juice more, and avoid sugar.
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The way I feel about music is that there is no right and wrong. Only true and false.
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You'd have to be an idiot to say no to 'Hunger Games.'
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All bad qualities centre round the ego. When the ego is gone, Realisation results by itself. There are neither good nor bad qualities in the Self. The Self is free from all qualities. Qualities pertain to the mind only.
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Stupidity can win for a moment, but it can never really succeed because the nature of humans is to seek freedom. Rulers can delay that freedom, but they cannot stop it.
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I have always felt an excellent rapport ever since my very first concert in Britain at Hampton Court. I have always felt understood. The British understand opera very well.
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Putting out commercial pieces and promoting them and trying to sell them to people is not necessarily what it means to be an artist
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I'm pretty laid back.
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My God, the stage is the only place I know where to go.
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TV's not the problem, and I'm tired of it being posed as this antithesis to creativity and productivity. If TV's getting in your way of writing a book, then you don't want to write a book bad enough.
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Tragedy massages the human ego even as comedy deflates it. ... Tragedy pits us against large foes and the trip wire is our own character. ... In comedy we fall afoul of one another. Comedy depends on social life, on our behavior in groups. In tragedy you can observe one human against the gods. In comedy it's one human versus other humans and often one man (or woman if I'm writing it) against her own worst impulses.
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Write plays that matter. Raise the stakes. Shout, yell, holler, but make yourself heard. It's time for playwrights to reclaim the theatre. We do that by speaking from the heart about the things that matter most to us. If a play isn't worth dying for, maybe it isn't worth writing.
