Norman Jewison Quotes
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I feel happy that I am being honoured for doing films of my own liking.
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I am passionate about human rights.
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Once you give up rights, they're not going to give them back.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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You will never see me dancing around the trees, chasing a heroine; I will never do films, no matter what the budget, for the heck of it.
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A federal Voters' Bill of Rights could press the states to put non-partisan managers in charge of elections.
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I love doing kids' films.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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All of my films have been autobiographical - it's all I've got to go on.
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I write in the studio.
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I am an American citizen and feel I am entitled to the same rights as any other citizen.
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The term 'human rights defender,' incidentally, isn't something I or my attorneys came up with. Personally, I find it a little embarrassing.
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I am constantly swimming on the margin, neither 100% American, French, nor Lebanese. I am none of those. I am the result of those three. Sometimes it's an asset: no one can put you in a category. That I do not make typical Lebanese, European or American films does not bother me.
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I support all Australian films.
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I'm all for typewriters, with instant carbon copies, and seeing films in cinemas.
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I missed so much of the Swinging Sixties by working. From 1961 to 1969, I got up at 4.30 A.M., a car came for me at 5.30 A.M., and I was taken to our studio at Teddington or Elstree, and we filmed until I got home at 9.30 P.M., five days a week.
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I'm okay with anybody expressing their rights.
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I love being able to change from big films to small films.
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When I was eleven, I got cast in the last directorial project of Christopher Reeve.
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It really sucks when music is so perfect you just don't need to hear it anymore.
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In 2001, America 's hospitals provided nearly $21 billion in uncompensated health care services.
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In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
