Norman Jewison Quotes
In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
Quotes to Explore
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I feel happy that I am being honoured for doing films of my own liking.
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I love music, and can dance on the desi beats. Punjabi music is my favourite. I listen to artists like Honey Singh. I love his music. I also love watching Bollywood films.
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I am passionate about human rights.
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Once you give up rights, they're not going to give them back.
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TV and films are same for me. I took a decision to be an actor, and I am an actor. I never decided to be TV actor or film actor.
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You will never see me dancing around the trees, chasing a heroine; I will never do films, no matter what the budget, for the heck of it.
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A federal Voters' Bill of Rights could press the states to put non-partisan managers in charge of elections.
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I love doing kids' films.
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Our first manager really pushed that we not sell our publishing rights, which is one of the earliest things an artist will do: They'll sell in order to get a cash advance.
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All of my films have been autobiographical - it's all I've got to go on.
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Ultimately property rights and personal rights are the same thing.
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I write in the studio.
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I am an American citizen and feel I am entitled to the same rights as any other citizen.
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The Human Rights Organisation deceives the world by calling itself a human rights council.
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I am my biggest critic. Even in films where people said they liked me, I have disliked myself.
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My family don't watch a lot of what I do. Films are a bit too arty-farty for them, certainly the ones I do!
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The term 'human rights defender,' incidentally, isn't something I or my attorneys came up with. Personally, I find it a little embarrassing.
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I am done with the cliched heroine roles. I can't go to work without a challenge. I want to do films that drive me, films in which I am a part of the main plot.
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It's always a struggle with small films to get people in the theater. I think I have a perverse contrarian streak that's always kind of aspired to make movies that are impossible to market.
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At first I was supposed to be the funny central figure, ... But with that format the show might have lasted about four weeks. The way it worked out is, the other people say the funny lines and my character looks on as an observer.
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Meditating together is the best way to feel the collectivity.
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In America there's no rights for the artist, so whatever films I've made kind of belong to the studio.
