Mike Leigh Quotes
Quotes to Explore
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I get offers all the time from film makers, but they are unknown quantities. I don't go there and do experiments.
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Charlie Sheen gave me a signed headshot. I think it said, 'Keep it real.' But 'real' was spelled 'reel,' like a film reel.
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My mum is my biggest critic. She said I was good for the first film, but I can still be better, and I need to polish my acting skills.
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The film industry is mostly about unidimensional characters.
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Female characters in literature are full. They're messy: they've got runny noses and burp and belch. Unfortunately, in film, female characters don't often have that kind of richness.
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Serving in Congress has been more than an honor; it has been one of the most exhilarating experiences of my life... It has been a wonderful ride. It has been a wonderful journey.
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When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.
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The longest journey is the journey inwards. Of him who has chosen his destiny, Who has started upon his quest for the source of his being.
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A big budget studio film is slower, they've got so much to create around you. Everything is more complicated.
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I studied business and also studied film, then I graduated, and I worked at a network. I was able to use my business skills there - I was an associate producer for a little bit.
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My journey began with a single pencil. While traveling through India in 2006, I asked a boy begging on the streets, 'If you could have anything in the world, what would you want?' and he answered me with two words: 'A pencil.' Luckily, I had one in my pocket, and in the second it took me to give it to him, a defining dream was born.
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All the things worth writing about are outside me. I'm a lens, not a source. And even if it's not always a comfortable journey, it's always a stimulating one.
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Life is wonderful beautiful journey. Every episode of my life is like a dream, and I am at peace and happy with what life has given me.
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I've done a lot of TV, but not film.
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Every film I do, I'm involved with from the very conception of the project.
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The journey is part of the experience - an expression of the seriousness of one's intent. One doesn't take the A train to Mecca.
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I would love to play Mary in 'Long Day's Journey Into Night' or 'Virginia Woolf' or a comedy - just, like, a slapstick comedy.
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Each song is a lifetime, it begins and ends, and there's a journey taken within the songs.
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I really approached the film as if it was a white big piece of paper and I was going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.
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What fuels me is that there are a lot of people coming to Broadway and to the show Aladdin for the first time. Lots of kids and lots of adults and it's usually the kids were it's a special moment for them.
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We were orbiting around the idea of intent and context. We would take the bus into work, and if you said, 'Here's a shirt you might like,' and I open it on my mobile phone, I'm not going to pull out my credit card and wallet. We thought, 'How does someone do this? An e-mail to yourself, or you try to remember?'
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One omen is best, to fight in defense of one's country.
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I'm on JetBlue and United. So I spend a lot of time on airplanes with other people and in terminals or just traveling around and going to restaurants or whatever. The interaction I get on a daily basis is always positive. I've never had a negative interaction.
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I discover what my film is by embarking on the journey of making it.