Thomas Carlyle Quotes
The cut of a garment speaks of intellect and talent and the color of temperament and heart.
Quotes to Explore
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Nobody wants to give up good players.
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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If some people have the belief or view that the Dalai Lama has some miracle power, that's totally nonsense.
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The unread story is not a story; it is little black marks on wood pulp. The reader, reading it, makes it live: a live thing, a story.
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I think the silences we have on some issues are inductive of the fact that we need to write about them more, but I think there are some issues you have to write in a sensitive way and in a way that respects the reality of the situation. If you can't do that, you should leave them alone.
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I am interested in the way that we look at a given landscape and take possession of it in our blood and brain. None of us lives apart from the land entirely; such an isolation is unimaginable.
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I've tried coconut water straight up before, and to me, it's a little funky.
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I'm blonde and tanned and normal-sized! I'm sweet, shy, funny, have a big heart and I'm nice - and I like to eat.
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With Spotify, people don't get it until they try it. Then they tell their friends.
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I've had my heart broken and then gone out and done dumb things.
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I used to dance when I was younger - ballet and modern dance.
Nastassja Kinski -
If we lose sight of the fact that writing is entertainment, then writing is doomed.
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Northern Sweden holds a special kind of magic. It's cold, lonely, and the people are tough and silent, or so the stereotype says. This is Asa Larsson's home turf and I find as much joy in reading her closely observed descriptions of the environment, as in following her intriguing plots.
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My appearance gave me access to a particular kind of world and I'm really grateful for it.
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There lies at the back of every creed something terrible and hard for which the worshipper may one day be required to suffer.
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No study is possible on the battlefield.
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It was just a moment, and I saw myself. Then I no longer could say what I was.
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Up to a certain time I was cutting into things. Then I realized that the thing I was cutting was the cut. Rather than cut into the material, I now use the material as the cut in space.
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The thing that I always respected about Bruce Arians was, when he was at Pittsburgh, he let Ben Roethlisberger decide what he liked. I used to do that. You can put something in and force-feed it to a quarterback. But if he doesn't like it and have his heart in it, it's not going to be as good as when he really likes something.
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The typographic lore of school children points to the gap between the scribal and typographic man. (p. 103)
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I'm thinking about a few weeks in Montreal to work with a producer I met there.
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The cut of a garment speaks of intellect and talent and the color of temperament and heart.
