William Ellery Channing Quotes
Quotes to Explore
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We must continue building in all corners of the Land of Israel, with determination and without being confused.
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We must develop huge demonstrations, because the world is used to big dramatic affairs. They think in terms of hundreds of thousands and millions and billions... Billions of dollars are appropriated at the twinkling of an eye. Nothing little counts.
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People know things and have a remarkable capacity to act in their individual immediate interests all the time.
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When I watch Rumble Johnson, he's a bully. He bullies guys. He makes them go backward, and he traps them. I'm not going to allow that. If he tries to bully me, I'll stand right in front of him, and if he hits me, I'll hit him right back. And then we'll see how the bully handles it when nobody is going to run away from him.
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I never figured I'd go into the Hall of Fame. A kid from the Hill.
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He hits the ball a long way and he knows how to win.
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I don't think good and evil are polarized.
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Nowhere in the Bible did anyone bring back anyone's past sins and throw them in their face.
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I would love to be able to see as much of the world as possible, and volunteering, doing things in another community, living with a host family, are really effective ways to learn about cultures different from your own. And also to not feel lazy.
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In studio films, everything has to be boxed in, everybody needs to know beforehand - this is comedy, this is sci-fi, this is drama - and what's the point of independent film if you don't get to experiment?
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When people get rich, they cut themselves off from the context that has earned them these riches - the context of the common men. They forget they are part of society.
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To create a nice relationship with an ex, the love has to change form. I think you just have to put your children first.
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I bought my first electric car in 1970. Its top speed was 15 mph and it had just a 15 mile range - it was essentially a golf cart with a windshield wiper and a horn.
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For my money, when you're doing an on-camera performance, unless it's for something particularly stylised, you are, by and large, striving for naturalism.
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I want people to notice my writing abilities are real and that I'm not just stuck in one situation.
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I'm really fascinated by lingos and colloquialisms that are outmoded and have gone by the wayside. I love the way people spoke in the '30s, and the amazing slang of the mid-'60s and '70s.
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'Gatekeeper' was sort of my first attempt to put a little bit of a frame and boundaries around songwriting, and try to figure out a way to approach it that had a sort of end result in mind. I haven't written many like that.
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I've always been a visual person, I'm formerly a graphic designer. I've always seen myself as an observer. I like to maintain objectivity and don't get too intimately involved in my subjects.
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Yes, I do have a soft spot for complicated villains who can't help themselves.
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I am unable, when I turn to myself, to recognize any of my faculties or my capacities. The inner sensation which I have of myself informs me that I am, that I think, that I will, that I have sensory awareness, that I suffer, and so on; but it provides me with no knowledge whatever of what I am - of the nature of my thought, my sensations, my passions, or my pain - or the mutual relations that obtain between all these things ... I have no idea whatever of my soul.
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I love to create, and to me, the ultimate freedom of expression is a blank canvas or a block of clay to capture whatever emotions your imagination gives it.
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I'm a moron because I don't want to lie in a gutter puking over myself... yeah right
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Mistakes and errors are the discipline through which we advance.
