Hanna Rosin Quotes
The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
Quotes to Explore
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I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
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From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
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Nuclear disarmament and non-proliferation are not utopian ideals. They are critical to global peace and security.
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Actually, I didn't like Dartmouth very much, but the whole theater scene I really liked.
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My own brand will stand or fall because of me. Dior won't fall if I fall. It will also still stand if I'm not there. I'm coming in there, and it's like a – I don't know the English word – like a passage.
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When I got back to Madison Avenue, I realized that copywriters made more than artists, so I switched.
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I thought I had to write literature and add my name to the list of great Southern storytellers. Fortunately for me, no one wanted to read any of those stories. They got rejected by everyone. Sometimes, I would get a note saying they liked the writing, but the story simply didn't work.
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I love to make a one-pot meal - think stir-fry but in the French Fricassee. I start with what takes the longest to roast and then add vegetables, fresh herbs, and starch until the meal is complete in one shot.
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I had several near death experiences or very, you know, close calls, if you may, in Iraq. You know, there was an incident where I was nearly kidnapped.
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Memory is not particularly linear - it is associative, repetitive, subjective and porous. But the writer needs to convey disorder and dysfunction without making the novel itself disorderly or dysfunctional.
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Feminists have confused opportunity with outcome.
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My dad was a designer for Upper Deck, and I had hundreds of Ken Griffey Jr. cards. Hundreds. I could have paid for college with them.
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I never thought I would go to Gaza. It's incredibly difficult to get into, and when you get there, it's a war zone. Then they have this beach, and there's this incredible, vibrant beach culture there, which is something that I grew up with in Southern California.
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Unfortunately or fortunately, in order to become acquainted with the idiom of country or rock music, it is necessary to occasionally play in a bar. Bars are a rehearsal place.
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Ability is nothing without opportunity.
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I became interested in educating people in the variety of ways in which women can express their emotion. Which is much easier to do in a large role than in a supporting role to a male protagonist. In general, the women in a supporting role to a male protagonist - cry a lot.
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You don't get second chances in the real world.
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We are all tasked to balance and optimize ourselves.
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Jane Austen easily used half a page describing someone else's eyes; she would not appreciate summarizing her reading tastes in ten titles.
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I know Busta Rhymes for about a year now and we did a song together and we got an album together which is called "Godzilla vs. King Kong", which is going to be me and Busta. That was really the first time we rocked together on stage.
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It's because we are so flooded with American culture that we're startled when we see ourselves up there on the screen.
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It is better to learn war early from friends, than late from enemies.
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This war, like the next war, is a war to end war.
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The classic war movies of the post-Vietnam era have generally taken on grand, philosophical themes: the meaninglessness of war, the grinding down of man by the machine - the machine being war itself, represented by someone like Gunnery Sergeant Hartman in 'Full Metal Jacket,' the sadistic marine who turns his boys into instruments of death.
