Nat Hentoff Quotes

Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.

Nat Hentoff

• Writer
• Years Ago
• The New Yorker

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Quotes to Explore

• Here's the deal with Matty Morrison: He is the most unassuming, nicest, most humble guy, who also happens to be extremely talented.

  

  Victoria Clark
  • Guy
  • Humble
  • Deal

• I was the kid who never won the races. I never jumped the highest. I wasn't on the list of the high-achieving.

  

  Kate Winslet
  • High
  • Never
  • Kid

• With film, I have to be a team player; it's a whole different thing. I can't just be a one-man show. I have to learn how to use people to the best of their ability and motivate them to be as passionate about the project as I am.

  

  Ice Cube
  • People
  • Different
  • Team

• It's nice to see different dimensions of a character. A love interest and family life are always, I think, important in creating layers and textures.

  

  Nazanin Boniadi
  • Life
  • Important
  • Family

• I was too prissy, too refined, too abstemious, too French to be a good American writer.

  

  Edmund White
  • Good
  • American
  • Writer

• I think that the legitimacy of the court would be undermined in any case if the court made a decision based on its perception of public opinion.

  

  Samuel Alito
  • Think
  • Decision
  • Opinion

• I'm not afraid of portraying anything on-screen.

  

  Halle Berry
  • Afraid
  • Anything
  • On-screen

• I had the story, bit by bit, from various people, and, as generally happens in such cases, each time it was a different story.

  

  Edith Wharton
  • People
  • Time
  • Different

• I think I weighed about 450/460 at my heaviest. That's huge! That's Fat Joe. And you know, I always took pride in being fat.

  

  Fat Joe
  • Think
  • Pride
  • Fat

• When you leave New York, you are astonished at how clean the rest of the world is. Clean is not enough.

  

  Fran Lebowitz
  • World
  • Rest
  • New York

• Wars and elections are both too big and too small to matter in the long run. The daily work - that goes on, it adds up.

  

  Barbara Kingsolver
  • Life
  • Up
  • Work

• At the heart of every great movie is conflict. It's the same with a meeting. There should be conflict and tension.

  

  Patrick Lencioni
  • Great
  • Heart
  • Movie

• My favorite actor who played villains - who could play anything, really - was Jimmy Cagney.

  

  Malcolm McDowell
  • Play
  • Actor
  • Favorite

• It's such a diversion to be constantly thinking of better ways I can teach people math that my hunger is for that really, for new ways of translating the beauty of it.

  

  Danica McKellar
  • People
  • Thinking
  • Beauty

• Even one's own home is a kind of anthology of advertisers, manufacturers, motifs and presentation techniques. There's nothing 'natural' about one's home these days. The furnishings, the fabrics, the furniture, the appliances, the TV, and all the electronic equipment - we're living inside commercials.

  

  J. G. Ballard
  • Home
  • Kind
  • Presentation

• Jazz vision is the fusion of music and art a real paradox of same-yet different. Here we play in exchanges, like the hardness of the key of c# major and from the softness of Db major - capturing, reflecting and improvising.

  

  Barbara Januszkiewicz
  • Music
  • Different
  • Real

• Seriously, I wanted to be an artist because I saw that it meant endless possibilities. I came from a badly managed family background, so art was a way of reinventing myself.

  

  Sam Taylor-Wood
  • Family
  • Art
  • Myself

• Comedy is a way to make sense of chaos. It's a way of dealing with things that are overwhelming, that threaten you; it's a way to survive and get closer to the truth.

  

  Laura Linney
  • Truth
  • Comedy
  • Chaos

• Most often the presence of such gifts of the Spirit creates a desire for their exercise. By them a man is drawn to the Word, to Christ, to men. For this reason a deep and sincere desire to enter the ministry is the commonest evidence of the Lord's calling. It is no sure criterion, however, for the gifts and desire are not always joined.

  

  Edmund Clowney
  • Desire
  • Spirit
  • Exercise

• I think with any songwriter the first 1,000 songs are always terrible.

  

  Graham Cyril Russell
  • Terrible
  • Songwriter

• The writer is all alone.

  

  V. S. Naipaul
  • Alone
  • Writer

• Chekhov was as important to me as anybody as a writer.

  

  Al Pacino
  • Important
  • Writer
  • Chekhov

• Really the writer doesn't want success. . . . He knows he has a short span of life, that the day will come when he must pass through the wall of oblivion, and he wants to leave a scratch on that wall - Kilroy was here - that somebody a hundred, or a thousand years later will see.

  

  William Faulkner
  • Success
  • Writer
  • Wants

• Lilian Ross was a - veteran writer for The New Yorker. She, in fact, brought me to The New Yorker many years ago.

  

  Nat Hentoff
  • Writer
  • Years Ago
  • The New Yorker