William James Quotes
Smitten as we are with the vision of social righteousness, a God indifferent to everything but adulation, and full of partiality for his individual favorites, lacks an essential element of largeness.
Quotes to Explore
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I'm still somebody that listens to a lot of James Brown, a lot of The O'Jays, a lot of TLC... in that era, producers had more musicianship.
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I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
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I can't take anything seriously.
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In writing about Harold and Maureen with their terrible unspoken secret, and all those people that Harold meets as he walks to save a friend's life, I was trying to celebrate the ordinary people.
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I'm an Oscar nominee. I love saying that. Whatever happens, I'm going to sing that 'I'm an Oscar nominee' part.
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One of the best essays I've seen in recent years was by a young woman who wrote about how being chosen to choreograph a high school musical forced her to assume a leadership role she wasn't sure she was ready for - but of course she was.
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When I graduated college, I had a fairly successful weekly club gig and was buying more studio equipment and writing my own music. I realized I didn't want to work.
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It's nice to know when you're a part of a story, it's nice to know at least something about the beginning, middle, and end.
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I discovered that the study of past philosophers is of little use unless our own reality enters into it. Our reality alone allows the thinker's questions to become comprehensible.
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My job as an author is to tell the story in the best way possible, to make it flow seamlessly and get the reader to keep turning the page.
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I'd always wanted to do a Marvel project, and I'd always imagined getting to play one of the superheroes because it's such a hard thing to get. It's the parts that only go to a few people. The flip side of that is the antagonists are pretty awesome.
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I theorize that there is a spectrum of consciousness available to human beings. At one end is material consciousness. At the other end is what we call 'field' consciousness, where a person is at one with the universe, perceiving the universe. Just by looking at our planet on the way back, I saw or felt a field consciousness state.
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If you're making comedies, they have to have a fun and a rhythm to them.
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Sometimes there are some matchups and man-to-mans that you like to match up on.
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When I was on 'The Big Gay Sketch Show' I thought, 'Well, this is going well now, but then when it's over I'll just be a barista.'
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I don't steer towards anything. I steer towards character and truth. If it's funny then so be it. If it's dramatic, so be it. I just steer towards characters.
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Every man I meet wants to protect me. I can't figure out what from.
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Sometimes my colleagues joke and call me Hannah.
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I've found even after nearly 30 years of doing this, there are all kinds of new surprises that rear their heads at various times and I truly believe that 51% of the images, success takes place in the darkroom.
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People can be teachers and idiots; they can be philosophers and idiots; they can be politicians and idiots... in fact I think they have to be... a genius can be an idiot. The world is largely run for and by idiots; it is no great handicap in life and in certain areas is actually a distinct advantage and even a prerequisite for advancement.
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When I work on a film, you know, I try to get or inhabit the body of the character -from the vision of the directors or how i think the character should be - so if it's a film like SPEED, you hit the gym, you get to do some, train with SWAT People, hehe, but in general, I'm really focused and dedicated, and then in regular life, I don't go to the gym as often.
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Less than two weeks before my 34th birthday, I bought pots. Most people were amazed that I did not previously own pots, but that was before I explained that I had never used my oven, and used my stovetop for my dishrack.
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The poem is a cry of the unborn heart. Yes, because the poem perfectly embodies the world, there is no world without poem.
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Smitten as we are with the vision of social righteousness, a God indifferent to everything but adulation, and full of partiality for his individual favorites, lacks an essential element of largeness.
