Albert Kuvezin Quotes
I would like to keep going in the same direction, but with more variety. I want to use multi-cultural music. There are so many elements that we can put together. I want to mix traditional and modern. It's always so fragile. It's like when you cook, you can make a mistake. Sometimes I don't know myself what will happen at a recording session.
Quotes to Explore
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Well, we like to let down our hair and pep it up at the dances, but we keep it slower when we broadcast. We have to please everybody, and that softer music appeals to the larger amount of people. It's like eating too much cake. You have to have your steak too.
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If it helped you get your music off the ground, I'm glad you done it.
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I'm involved in music and fashion a lot more than I used to be, so my style has definitely changed - for the better, of course. It's given me greater insight into what colours work, what looks good on camera, and what I feel comfortable in.
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In my relationship with a young guy I was going with in a band - his name was Sylvester, and I think he had another little girl on the side - I told him, 'If you lose me, you're going to lose a good thing.' And I went home and put that poem to music.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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There's nothing like a music festival. People are ready to have a good time. I don't think anyone comes to a festival going, 'I'm gonna be a complete bummer today.'
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The perfect day for me is waking up and having a cup of tea with my kids before I drive them to school; Then, I go into the studio and try and write some music for three or four hours and give up about noon.
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We always make music and continue to make hits.
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I think I was just lucky to be brought up in a very musical family. My two older brothers were, and still are, very musical and very creative, and music was a big part of my life from a very young age, so it is quite natural for me to become involved in music in the way that I did.
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I've dreamed of being on the road, traveling and touring, for as long as I've been into doing music. It's what I live for. I just wanna be Willie Nelson.
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Music is really something that makes people whole.
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Taxi drivers used to ask me what kind of music I did, and I'd say, 'Well, it's kind of jazz, soul, classical' - but that makes no sense to anyone.
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I wanted a name I could shape the music towards. I was going to Miami quite a lot at the time, speaking a lot of Spanish with my friends from Cuba - 'Lana Del Rey' reminded us of the glamour of the seaside. It sounded gorgeous coming off the tip of the tongue.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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Maybe in music you're making an auditory environment and maybe you change your environment around you to suit your own way.
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Music is amazing. There's some metaphysical comfort where it allows you to be isolated and alone while telling you that you are not alone... truly, the only cure for sadness is to share it with someone else.
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I've moved around so much my whole life, and I've gotten so used to being the Other in situations - the foreigner, the outsider. The first time I've ever felt like there was no separation between me and the other elements was in music.
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I never get tired of exploring Americana or country music, and I always have a little bit of a crooner in me that never seems to go away.
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People who work in specialized fields seem to have their own language. Practitioners develop a shorthand to communicate among themselves. The jargon can almost sound like a foreign language.
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Heck, gold medals, what can you do with them?
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I got stuck on the Peter Pan ride when I was nine years old with my dad at Disney World. We got stuck on that part of the ride when you're suspended in the pirate ship above the miniature London, and I was fascinated by the why of it all. 'Why is Peter Peter Pan, why is he in Neverland, how did he learn how to fly, etc.?'
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I am a refugee: my parents fled Chile under Pinochet in 1976 when I was 9 months old, and my parents were able to start from nothing and make lives for themselves in the United States.
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I would like to keep going in the same direction, but with more variety. I want to use multi-cultural music. There are so many elements that we can put together. I want to mix traditional and modern. It's always so fragile. It's like when you cook, you can make a mistake. Sometimes I don't know myself what will happen at a recording session.
