Harrison Ford Quotes
American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
Quotes to Explore
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I'm a believer in trusting the director.
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'Inside Out' - that was a really good movie. That's the first animated movie I saw since 'The Lego Movie.'
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One minute, it seemed I had more movie offers than I could handle; the next – no one wanted me.
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I have my pride. I'm a director. I'm not going to go and recreate some other director's vision.
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I'm really proud of 'Oceans 12.' Of course, you do an 'Oceans' movie, you get known all over the world. It's an incredibly powerful medium: It's a Hollywood-identified blockbuster.
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That's the joy of making a movie: watching all the elements come together.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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For my wrap present, Colin Farrell gave me a first edition book. I got so involved with this character and I was so sad when the movie was over that when I got home and I tried to read the book I got really emotional and I started crying.
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It's Will Ferrell, he does Will Ferrell movies. But if you really look at it, he tries to do something different with each one, whether it's an action cop movie like 'The Other Guys' or doing 'Talladega Nights' going into red state America or 'Casa de Mi Padre' or 'Stranger Than Fiction,' which is more of a drama.
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I wanted to be an actor when I saw the movie 'Die Hard.' I saw Bruce Willis shooting guns and blowing stuff up, and I thought, 'I wanna do that.' It really had nothing to do with acting; I just wanted a job that allowed me to do fun, bigger-than-life stuff.
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When your in the movie business you have a start date and a stop date.
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Dancers have always been a kind of background image, we've always danced behind an artist or we've danced in a movie behind the actors. We've always been very secondary.
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Another random thing I do is the search for extraterrestrial intelligence, or SETI. And you may be familiar with the movie 'Contact,' which sort of popularized that. It turns out there are real people who go out and search for extraterrestrials in a very scientific way.
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I met Alejandro Gonzalez Inarritu years ago during my college days, and I was in charge of international promotion of this movie festival he was invited to as part of the jury, and then he saw my work on a short film that was directed by a friend of mine.
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'The Replacements' is where I met Jon Favreau, and we just clicked like, you know, like kids at a camp. And he wrote my next movie, which was 'Made.'
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I'm a big movie fan. After a show, if I'm on the bus or a plane, it's often hard to get to sleep, so I'll watch a film. An action film can even relax me.
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Why should a filmmaker turn over the irreplaceable asset, the movie, to a distribution center?
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I, of course, was born as if I was a movie star in my head. Even though I had nothing, in my head I was always royalty. My mother always said, 'I don't know where you came from'. I didn't have their value system. And I always lived beyond my means.
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The movie business is very difficult but the music business is just impossible. So I'll play in bands and record and play songs with other people, but for me it's a form of expression that all I need is me. I don't need cameras or agents, I can just have a piano and sing and feel totally verified.
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Most people recognize that to create jobs is really the essential element in their drive against poverty.
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Anger is really disappointed hope.
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It would be rather naive to imagine that Oprah doesn't have an Earth Evacuation Plan. You know Richard Branson does - his is in plain sight.
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I think the wonderful thing about vi is that it has such a good market share because we gave it away.
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American Graffiti was the first movie where the director let me have any input. It was the first time anyone ever listened to me. George thought my character should have a crew cut, but I wasn't happy with that idea. I'd always had pretty long hair back then - in college, particularly - so I told George my character should wear a cowboy hat. George thought about it and he remembered a bunch of guys from Modesto, California, who cruised around, like my character, and wore cowboy hats, so it turned out that it actually fit the movie.
