Walt Disney Quotes
Quotes to Explore
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I won't allow myself to have tremendous fear.
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I joined the Actors Studio and began to work with Lee Strasberg, and that changed my work.
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I write in the studio.
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I love the studio audience. That's where I feel the most at home. You know right away if you're being funny or not.
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Growing up, I was a nerd. With actual taped eyeglasses.
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Great geniuses have the shortest biographies.
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All Heaven is within thee, Man, And all of Hell within thy heart: What thou dost choose and will to have, That hast thou wheresoe'er thou art.
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The great moral teachers of humanity were, in a way, artistic geniuses in the art of living.
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Salacious? I suppose every once in a while the salacious thing is not a bad thing. It's kind of monochromatic if that's all you do.
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The studio people want me to do 'Good-bye Charlie' for the movies, but I'm not going to do it. I don't like the idea of playing a man in a woman's body - you know? It just doesn't seem feminine.
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The dream world of sleep and the dream world of music are not far apart. I often catch glimpses of one as I pass through a door to the other, like encountering a neighbor in the hallway going into the apartment next to one’s own. In the recording studio, I would often lie down to nap and wake up with harmony parts fully formed in my mind, ready to be recorded. I think of music as dreaming in sound.
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To despise doctrine is to despise the Word of God.
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You're kidding. I thought all geniuses read Latin. Isn't that the international language for smart people?"-Shane (Glass Houses)
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Any project that I find encouraging that isn't attached to a studio, I can go to them, which I definitely would. You have to take an interest in what you do.
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I feel these shows allow you to be yourself, this is why I like to be part of them. Also, reality shows have a much bigger reach and provide a bigger platform for an actor.
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I had rather eleven died nobly for their country than one voluptuously surfeit out of action.
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Almost every evening, either I went to [Georges] Braque's studio or Braque came to mine. Each of us had to see what the other had done during the day. We criticized each other's work. A canvas wasn't finished unless both of us felt it was.
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None of us older writers had gone through such a school. We are all self-taught. And, of course, there is always, in such a school, the danger of goose-stepping, uniformed ranks. But the Serapion Brethren have already, it seems to me, outgrown this danger. Each of them has his own individuality and his own handwriting. The common thing they have derived from the studio is the art of writing with ninety-proof ink, the art of eliminating everything that is superfluous, which is, perhaps, more difficult than writing.
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Art is fast, but with art you're tied down. That's too negative. What I mean is, you have a business and a place that you go every day. I guess some artists do move around.
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Who else but the maestro of mathematical creativity, Clifford Pickover, to curate a museum of Strange Brains and write biographies of the scientific geniuses who formerly owned them? I'll never look at a pigeon, a pearl, or a Wheatstone bridge the same way again.
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This meets the density, quality, cost structure and scalability needs of the diverse embedded market.
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We allow no geniuses around our Studio.
