Alexandra Kollontai Quotes
I stood close to the materialist conception of history, since in early womanhood I had inclined towards the realistic school.
Quotes to Explore
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It's better to do a film that works.
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As kids, we spontaneously sing and dance and tell stories, and along the way, someone comes and says, 'No. You shouldn't be doing that.' And we slowly begin to unlearn our passions. I think you have to hold on to those things.
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I simply adore getting dressed up for a special occasion. I feel incredible stepping out in luxurious fabrics and a bit of bling. That's also how I feel about special-occasion dining rooms. Because these aren't everyday spaces, they contain all sorts of drama for that once-in-a-while 'wow' event.
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We have established a new basis in our country in which economic liberalization would continue to flourish alongside democratic forces and deregulated power structure.
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Sometimes one creates a dynamic impression by saying something, and sometimes one creates as significant an impression by remaining silent.
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It will be disastrous when a leader or manager shows up with one attitude one day and treats people with a different attitude the next day.
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There's a hardening of the culture. Reality TV has lowered the standards of entertainment. You're left wondering about the legitimacy of relationships. It's probably harder to entertain the same people with a more classic form of writing, and romantic comedies are a classic genre.
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With the juice, I try to put a lot of different kinds of vegetables in there like zucchini, kale and broccoli. It looks scary, but it's so good for your body, and I just love the taste of it. It's so fresh; I love it!
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I have a lot of Republican friends.
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I think I have music in me! I had a scholarship to study singing at one point, and I've never really done anything about it. I've done some music on stage, but it's been a long time. It would be kind of fun.
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It has been a great working experience with Sreenu Vaitla.
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I think that I've had a very strange life.
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I will try to give my 100% in the field and do my job.
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Gone are the days when your indiscretions at university were recorded in a roneoed college newsletter of which there is only one copy left tucked in a filing cabinet at the back of a library. Today that same college newsletter is online, accessible by the whole world now and forever.
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Being a funny person does an awful lot of things to you. You feel that you mustn't get serious with people. They don't expect it from you, and they don't want to see it. You're not entitled to be serious, you're a clown.
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When I hosted 'Win, Lose or Draw,' it was always fascinating to me that no one knew where anything was when they had to draw a destination.
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Even as I was writing 'Empire State,' I knew there were more adventures for the main character, private detective Rad Bradley, to have. I also knew that the world was far larger than what I'd presented in book one.
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Compared to dancing, films seemed to me to be the work of lay bums. There was no physical pain; it was enough to say and imagine what was in the script. It was very easy for me.
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I think there's a lot of deep-rooted history in England with racing. Lots of Formula One teams are based there. Formula One is obviously a huge sport over in England and Europe.
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'Wicked' has been one of the biggest hits in Los Angeles theatre history, and we are thrilled that theatergoers here have embraced the musical and welcomed us so heartily.
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My mother and dad were big animal lovers, too. I just don't know how I would have lived without animals around me. I'm fascinated by them - both domestic pets and the wild community. They just are the most interesting things in the world to me, and it's made such a difference in my lifetime.
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I was the runt of the family, the shortest and the smallest, so I think they perceived me as the one who was like, 'Look at me!' - just trying to get their attention and being a goofball.
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Fires and floods, we're hardwired to accept them or at least file them under Bad Things Happening. But there's something so abstract and so modern about a bank making a technical mistake about how it funded its obligations to depositors, and suddenly you're out of work.
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I stood close to the materialist conception of history, since in early womanhood I had inclined towards the realistic school.
