Alexandra Kollontai Quotes
I never gave a thought to any kind of danger, being all too engrossed in matters of an utterly different character.
Quotes to Explore
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I see no reason to hide who I am or what I look like.
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Our music doesn't make many compromises, but we take it into a venue that's larger than people expect.
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There's nothing wrong with a thick eyebrow; Frida Kahlo had them.
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With the dreary season in which we travelled part of the route; with our minds much more actively employed in forming resources for our preservation from famine.
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The work environment on 'Battlestar Galactica' is unbelievable, and it's something that doesn't come along very often.
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A lot of people go in and have to create their own characters, and they do fine with it.
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I love the Coen brothers. They're so brilliant, and they always surprise you in one way or another. 'A Serious Man' was awesome. I like stuff like that, that kind of throws you for a loop. It takes you on a journey that is unexpected.
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Well, youth is the period of assumed personalities and disguises. It is the time of the sincerely insincere.
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I hate recording all the shows for the week in one day, because I want to be able to mention current events and pop culture. If Madonna punches Britney in the face today, I want to reference that on 'Wine Library TV' tomorrow. Monday's episode is always the best, because it's hot off the press.
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Customer expectations? Nonsense. No customer ever asked for the electric light, the pneumatic tire, the VCR, or the CD. All customer expectations are only what you and your competitor have led him to expect. He knows nothing else.
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There is simply too much of my life that is involved in my work that I couldn't replicate in any other way.
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I went to Sunday School and liked the stories about Christ and the Christmas star. They were beautiful. They made you warm and happy to think about. But I didn't believe them.
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I am grateful to theatre for making me what I am today. But it's not like theatre is my first love. I am equally attached to cinema, which is, actually, a child of theatre, since it borrows heavily from it.
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I sailed through my childhood with a complete lack of any drama.
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I have to be careful what I eat before going onstage, to avoid an upset stomach.
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Country music is what is sincere; that's the main thing.
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I was really blessed with parents who never said I couldn't do anything. And now I reflect as an adult on that, 'Wow, they never told me no!'
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I still care a lot about my personal style, and since moving to New York and having a little more control over my own money, I've been able to make my 12-year-old fashion nerd dream comes true.
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I actually enjoy being heckled; it keeps it interesting, and I think it is a nice feeling for people once they have left the show.
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If I had different parents who were in it for the money, I might have a different perspective. But they really are artists; they intelligently approach each character and prepare in every sense of the word. I grew up in a world that had great discipline.
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That straight man character is a short trip between comedy and drama in a project, so I can play the comedic beat on the same page as a dramatic beat. It gives me a lot of freedom as an actor to play scenes in multiple ways because I don't play the clown, nor do I play someone who is particularly maudlin.
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I'm always writing from some difficult place and seeing how the character survives... or doesn't.
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To live a pure unselfish life, one must count nothing as one's own in the midst of abundance.
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I never gave a thought to any kind of danger, being all too engrossed in matters of an utterly different character.
