William Morris Quotes
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
Quotes to Explore
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I can go all over the world with Skype.
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My mother protected me from the world and my father threatened me with it.
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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I am constantly accused of being 'First World.' So what should I do? I can't apologise for my environment, upbringing, aesthetic.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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I love The Inn at Palmetto Bluff, an Auberge Property in Bluffton, South Carolina. It's a spectacular corner of the world, with massive old trees lined with Spanish moss, and alligators swimming in the river.
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The world may be driven by the same ancient impulses. We will continue to see human struggles and successes. We will witness human glory and tragedies.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I suffer from low self-esteem. I had horrible self-esteem growing up. You really have to save yourself because the critic within you will eat you up. It's not the outside world - it's your interior life, that critic within you, that you have to silence.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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In certain ways, we, many of us, stopped paying attention to the world. I have to think we would have moved on the whole climate issue in a different way if we'd been paying better attention.
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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
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Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
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Men we shall have only as we make manhood the object of the work of the schools - intelligence, broad sympathy, knowledge of the world that was and is, and of the relation of men to it - this is the curriculum of that Higher Education which must underlie true life.
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When you are away from the game and busy with other areas, you realize that the world does not revolve around baseball.
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It's so weird to turn on a switch and be the role model for all women, for all African-Americans. That doesn't happen that easily. It just doesn't. And so I don't act up in public and I don't do anything weird - because my sisters are watching me, not because the world is watching me.
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You have to let the world speak to you and then you speak, you know, so I'm in that moment now where I'm finding the world's voice.
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Cricket makes no sense to me. I find it beautiful to watch and I like that they break for tea. That is very cool, but I don't understand. My friends from The Clash tried to explain it years and years ago, but I didn't understand what they were talking about.
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Be reactionary. React to what the market wants. And the market wants one-on-one real time engagement. Now that we have the tools to engage, I'm going to continue fighting for the end user.
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Being a posh actor in England you cannot escape the class-typing from whatever side you look at it.
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I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
