William Morris Quotes
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
Quotes to Explore
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I can go all over the world with Skype.
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My mother protected me from the world and my father threatened me with it.
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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I am constantly accused of being 'First World.' So what should I do? I can't apologise for my environment, upbringing, aesthetic.
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I have been fighting climate change for two decades, and people often ask me how I remain hopeful in the face of extreme weather and grim forecasts. The answer is simple: I see countless solutions spreading across the nation and across the world. But we need more investment.
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When you scratch the surface, every one of us has something that we deeply want to contribute to the world. All we have to do is step up and do it.
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To be honest, before I joined the industry, I knew very little about the fashion world, and I hardly knew any name brands. Probably because the price tags were a little too high, and home girl needed to work.
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My autobiography is a digressive illustration and exemplification of what race has meant in the world in the 19th and 20th centuries.
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Cartooning at its best is a fine art. I'm a cartoonist who works in the medium of animation, which also allows me to paint my cartoons.
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I love The Inn at Palmetto Bluff, an Auberge Property in Bluffton, South Carolina. It's a spectacular corner of the world, with massive old trees lined with Spanish moss, and alligators swimming in the river.
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The world may be driven by the same ancient impulses. We will continue to see human struggles and successes. We will witness human glory and tragedies.
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We all present versions of ourselves. The person you are at work is not the same person you are at home. The face we present in our most intimate relationships is not the face we present to the world.
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I suffer from low self-esteem. I had horrible self-esteem growing up. You really have to save yourself because the critic within you will eat you up. It's not the outside world - it's your interior life, that critic within you, that you have to silence.
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Music is an art that touches the depth of human existence; an art of sounds that crosses all borders.
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I think what made it difficult for people to get, and still makes it difficult for people to get, is the theatrical nature of the work and the fact that, my music doesn't exist without the performance-art element.
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In certain ways, we, many of us, stopped paying attention to the world. I have to think we would have moved on the whole climate issue in a different way if we'd been paying better attention.
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In an era ruled by materialism and unstable geopolitics, art must be restored to the center of public education.
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Canada was my whole world and my whole reality, and now I meet people who've never been there, and it's like, 'You've never been to my whole world?'
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We hunger to understand, so we invent myths about how we imagine the world is constructed - and they're, of course, based upon what we know, which is ourselves and other animals. So we make up stories about how the world was hatched from a cosmic egg or created after the mating of cosmic deities or by some fiat of a powerful being.
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It is perhaps common in the world for individuals and nations to suffer for their noble qualities more than for their ignoble ones. For nobility is an occasion for pride, the most treacherous of sentiments.
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Present annual world energy consumption is about equal to the annihilation energy of 4 tons of matter.
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You can grow without destroying the things that you love.
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I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
