Tom Berenger Quotes
The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them.
Quotes to Explore
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I identify with the Clint Eastwoods and Harrison Fords. Those are my heroes.
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Characters who don't suffer have no interest to me.
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Some of the biggest movie stars in the world are essentially characters.
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All of my characters are less than perfect.
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When I was a kid, I used to make up all these characters. I love comedy a lot, and I don't get to do it often. Somewhere in the middle, I shifted into doing drama.
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I try to get roles that challenge me in what I can do and who I think I can portray. For me, it's about creating characters with really fascinating stories, because that's what I like to watch on TV.
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For me, it's first about the characters. I look for a character who is intriguing and challenging and different from what I've done before.
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I've never had someone pick outfits for me. Almost everything I get is from Goodwill.
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For me, 'Mommy' was about developing very humane characters that would be very credible and endearing and work onscreen.
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The best characters in books are always the difficult ones, and why would you want to fall in love with someone difficult? The ones I'd fall in love with are the ones I'd definitely keep out of a book.
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I am a method actor, but I'm also a film actor as well as a method actor. Characters that don't have humility, whether they are heroes or villains, are hard to relate to. All characters in every aspect of what we do should have humility. If they don't, then they're a cartoon character.
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I don't mind playing bad guys, but I love having the opportunity to play all different types of characters.
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You know, I have some issues. But I just love to play different characters all the time, and I try not to repeat myself too much.
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As a Southerner, I love obstacles for my characters.
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Therefore only an utterly senseless person can fail to know that our characters are the result of our conduct.
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[Success] always starts with the material; it always starts with the truth and honesty of the characters that you read in the screenplay and that's rarely something that can be remedied if it's simply not there by the time you shoot the film. Thank God we had that.
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You have to identify what you care about and why you care about it. It has to be personal. It has to be something that fires you up or means something to you, or it's not going to drive you.
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I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
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I really like to play these complicated characters, and I really like to transform.
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There are amendments never offered, there are bills never heard, that are basically killed because of the process.
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History is either a moral argument with lessons for the here-and-now, or it is merely an accumulation of pointless facts.
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I do think poetry needs to invite the reader, especially when there are so many other distractions while reading.
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The Big Chill is one of those things that everybody can identify with. Between eight characters, they can pick somebody who's somewhat like them.
