Tom Cruise Quotes
What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.

Quotes to Explore
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I'm not coming back to play.
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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I would love to do a Broadway play. I would love to do big screen also, motion picture.
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Life is painting a picture, not doing a sum.
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How do I act so well? What I do is I pretend to be the person I'm portraying in the film or play.
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Sometimes I just crave to play in Shakespeare again and I know and love playing Orlando so much.
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We are going to finish this picture just the way I want it... because you cannot compromise an artist's vision.
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I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
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I go with the flow. Whatever music you play for me, I'll dance.
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I love to play music.
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I love to play golf and watch movies in Tamil and Telugu whenever I get time.
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My first play was 'The Room', written when I was twenty-seven.
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I do tend to play characters that have a lot of costume and hair change. I sort of like the change of physicality thing.
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My mom played every sport possible. My dad is 'extremely' competitive. You can't even play Ping-Pong with him.
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I like to play what I call a-motional golf. Emotion doesn't grab me that much.
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Horror and the unknown or the strange are always closely connected so that it is hard to create a convincing picture of shattered natural law or cosmic alienage or 'outsideness' without laying stress on the emotion of fear.
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Some places you play in America, it's like 'On the Waterfront.'
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I don't feel right unless I have a sport to play or at least a way to work up a sweat.
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One ought, every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.
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It seems to me that most people are impressed with just three things: how fast you can play, how high you can play, and how loud you can play.
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To picture Roosevelt as a man at this time in his life - he felt he was old. He was 53 years old, feeling lonely and irrelevant. And all of a sudden, he takes on this campaign, and it becomes a crusade for popular government. And he ultimately goes on fire in the campaign, but he discovers he's up against all the old machine tactics that he used to use himself, and he has to let the public get involved. And he energizes the public through the most extreme kind of rhetoric, which truly brings him into the streets and onto his side.
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In a relationship, the sum of your parts should equal more than just you by yourself. He needs to bring something new and different to the table to up the ante.
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To be able to drive a rickshaw legally, I had to get an international motorcycle license in L.A., which I have now.
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What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.