William Shakespeare Quotes
Quotes to Explore
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In winter, the Icelanders told the tales of the brave men of old in their families, and so the tradition was handed on from father to son, the same stories told every winter, till all the particulars became well known.
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The race of mankind would perish did they cease to aid each other. We cannot exist without mutual help. All therefore that need aid have a right to ask it from their fellow-men; and no one who has the power of granting can refuse it without guilt.
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The antagonisms between men and women express themselves in the most delicate phase of their life together - in their sexual relationship.
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I wonder if there'll ever be a time where you're not judged by your appearance. It seems that wherever you've got to, your appearance is always discussed. It's never said about men. We talk about a man's charisma, not his looks.
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As a child I really didn't like men at all, in fact.
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Really hairy backs on men turn me off. I'm not into the ape thing at all. Or beer bellies and flabby arms, either. Also, one random nose hair which is longer than the others... that's gross.
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In the X-Men the women are so strong and sexy! We really kick some male butt!
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Arab civilizations had been of an abstract nature, moral and intellectual rather than applied; and their lack of public spirit made their excellent private qualities futile. They were fortunate in their epoch: Europe had fallen barbarous; and the memory of Greek and Latin learning was fading from men's minds.
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By nature, men desire the beautiful.
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I have yet to see a piece of writing, political or non-political, that doesn't have a slant. All writing slants the way a writer leans, and no man is born perpendicular, although many men are born upright.
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Most male victims of violence are the victims of other men's violence. So that's something that both women and men have in common. We are both victims of men's violence.
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As the years passed in my village, I witnessed poorly educated young men leaving to seek the greater comforts and liberations of big cities. I would see them on my visits to Delhi.
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'The Last Ship,' which is a beautifully written piece, is about a love triangle and young men working in a shipyard. Audiences may prefer to see a show that allows them to forget about their worries for an evening.
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I don't have one role that I want to play. I guess... I want to be a producer. I want to be an activist. I want to be proactive in bringing about work for men, women, boys, girls, everybody who is good at what they do and deserve a shot at it.
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It's successful, middle-class Arab men and women, professionals with seemingly happy family lives, who are prepared to go to paradise for a greater cause. That's terrifying.
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Men we shall have only as we make manhood the object of the work of the schools - intelligence, broad sympathy, knowledge of the world that was and is, and of the relation of men to it - this is the curriculum of that Higher Education which must underlie true life.
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Men, in fact, are excited and looking forward to settling down and having families and being true partners with women in relationships that are full of excitement, unpredictability, adventure, and loyalty.
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We need more of the Office Desk and less of the Show Window in politics. Let men in office substitute the midnight oil for the limelight.
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One of my favorite things to do is not to speak on screen. In theater it's different because there's a lot of emphasis on language - it's a different medium. But that is one of the most wonderful things about film. A person's face can say so much more than their voice can.
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I have played hell somewhat with the truthfulness of the colours.
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What a lovely voice, but who cares?
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The clock, not the steam-engine, is the key-machine of the modern industrial age.
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When Oscar Niemeyer died on December 5, 2012, ten days before his 105th birthday, he was universally regarded as the very last of the twentieth century's major architectural masters, an astonishing survivor whose most famous accomplishment, Brasilia, was the climactic episode of utopian High Modern urbanism.
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Bid the dishonest man mend himself; if he mend, he is no longer dishonest.
