William Shakespeare Quotes
Quotes to Explore
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I'm profoundly lucky. I really like it. I really like my work. I've liked it since I was 5 years old.
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We went from journalism, in newspapers that gets heavily edited, to blogs, where you can express your opinions, to tweeting, where you can say anything, and it gets repeated and becomes fact when it isn't. It's something the entire world is going to have to come to grips with.
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Phrases that have historical significance or become headlines don't just magically appear in the moment. They are mindfully planned.
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Having companies like PotashCorp based in Saskatoon or Cameco based in Saskatoon that have worldwide presence but have the head office jobs, the head office managers and head office employees in your local economy are important from a job creation and wealth creation point of view.
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It's nice not to be too boring.
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I tramped. When I was on the freight trains, I wasn't looking for work. I was looking to go from place to place without paying any money.
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It makes you vulnerable to win an award. It's nice to get the attention, but your neck is stuck out.
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I don't want to be 'Halsey: America's Sweetheart,' or 'Halsey: Bad Girl.' If you can sum up my career in a clickbait headline, I've done something wrong.
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But I think we need the international market.
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I'll tell you, I never thought I'd ever be going into law, and certainly not the same kind of law as my dad.
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My daddy used to say that I was too big to ride and too little to hitch a wagon - no good for a damn thing.
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Contrary to popular belief, I'm not always trying to stand out.
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The rewards of freedom are always sweet, but its demands are stern, for at its heart is the paradox that the greatest enemy of freedom is freedom.
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It is amazing that it is my destiny to be the first Aussie to win the Masters.
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Thanks to my father, we were always in good horses.
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Because women have been marginalised, they're more likely to behave like immigrants and continue to push themselves forward in order to avoid falling through the cracks, but I don't think a happy ending comes from matriarchy.
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When you're in the music business, everything is very personal, because you are invested in everything; there's a very deep, personal attachment to your music.
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I love the immediacy of those old analog machines; it's really inspiring. You just set them up to play, and they go, playing the same thing until you switch the pattern.
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There are always going to be encounters that you kind of wish went differently. But the average fan really isn't fanatical.
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I actually came out the year that AIDS hit the front pages. So there was this mixed feeling about it - excitement that life's finally begun, but it was completely tied up with mortality and danger and politics.
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The press doesn't stop publishing, by the way, in a fascist escalation; it simply watches what it says. That too can be an incremental process, and the pace at which the free press polices itself depends on how journalists are targeted.
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Never judge someone by who he's in love with; judge him by his friends. People fall in love with the most appalling people.
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'Waiting For Guffman' was different right away from 'Spinal Tap,' because we didn't show the interviewer. That person became invisible immediately. That created a different way of tuning it and ultimately editing it.
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Life's uncertain voyage.
