Alison Levine Quotes
Quotes to Explore
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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Post-Modernism was a reaction against Modernism. It came quite early to music and literature, and a little later to architecture. And I think it's still coming to computer science.
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As a kid, I liked to write, but I didn't think that was a viable career choice. My dream, actually, was to be a white girl rapper and join Salt-N-Pepa - which obviously was a much more viable career choice.
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It gets pretty boring when all you are is the support system for a male character.
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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My bag always weighs a ton. I carry my whole bathroom with me. You never know what's going to happen in a day!
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My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
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Listen, I'm a sweet guy. I'm just intense at work. I have nothing but the end result in mind. My entire career has been like that.
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I can relate to pushing yourself because you want to help and move culture toward justice.
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I do tend to overdo everything.
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With 'Trainwreck,' because it wasn't live and we could do more takes, I feel like we broke a lot.
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But I won't work with the exact same crew film after film because I feel the work would get a little complacent.
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Sickness, doctors, that scares me, not violence - helplessness. That's why I turn to violent stories.
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Those who are outside the centres of power, because of the need for a positive and not simply a stable identity, are likely to find an independent identity appealing.
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Two lovers move in the crowd like a link of music,We press upon them, we hold them, and let them pass;A chord of music strikes us and straight we tremble;We tremble like wind-blown grass.
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I was surprised I was nominated for an Oscar because 'Cocoon' was such an ensemble picture. But now I'm certain it wasn't only for 'Cocoon.' It was a lifetime award, so I accepted it in that vein, and it probably meant more from a recognition standpoint.
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I had a wonderful time making 'Dark Shadows.'
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So many parents these days are totally cool with their kids living on the couch the whole time. It's like a new thing with families. But you've got to leave the nest and get out there.
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You talk of the scythe of Time, and the tooth of Time: I tell you, Time is scytheless and toothless; it is we who gnaw like the worm - we who smite like the scythe. It is ourselves who abolish - ourselves who consume: we are the mildew, and the flame.
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I have no control over the super PAC; all I do is write the check.
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The unicorn, through its intemperance and not knowing how to control itself, for the love it bears to fair maidens forgets its ferocity and wildness; and laying aside all fear it will go up to a seated damsel and go to sleep in her lap, and thus the hunters take it.
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But we can’t control the environment; all we can control is the way we react to it.
