Alison Levine Quotes
Quotes to Explore
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Every time you work, you have to do it all over again, to rid yourself of this dross. I suppose for a person who is not an artist or not attempting art, it is not dross, because it is the common exchange of everyday life.
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Post-Modernism was a reaction against Modernism. It came quite early to music and literature, and a little later to architecture. And I think it's still coming to computer science.
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As a kid, I liked to write, but I didn't think that was a viable career choice. My dream, actually, was to be a white girl rapper and join Salt-N-Pepa - which obviously was a much more viable career choice.
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It gets pretty boring when all you are is the support system for a male character.
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I keep setting the bar higher for myself in terms of what I'm trying to accomplish.
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My whole career has been trying to please people in basketball. Now it's time to please myself.
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I went to a girls' school, and it was awful. The combination of my teenage anger and their jealousy meant I was always getting into fights. There was a lot of pulling of hair and scratching of faces and rolling around on the floor.
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My bag always weighs a ton. I carry my whole bathroom with me. You never know what's going to happen in a day!
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My writing books with positive gay characters has come more out of anger than anything else: anger at not having been able to find honest, accurate books about people like myself as a teen, books that show we're as diverse as straight people and that we can lead happy, healthy, productive lives just as straight people can.
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Listen, I'm a sweet guy. I'm just intense at work. I have nothing but the end result in mind. My entire career has been like that.
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I can relate to pushing yourself because you want to help and move culture toward justice.
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I do tend to overdo everything.
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With 'Trainwreck,' because it wasn't live and we could do more takes, I feel like we broke a lot.
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But I won't work with the exact same crew film after film because I feel the work would get a little complacent.
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Sickness, doctors, that scares me, not violence - helplessness. That's why I turn to violent stories.
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Those who are outside the centres of power, because of the need for a positive and not simply a stable identity, are likely to find an independent identity appealing.
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I was surprised I was nominated for an Oscar because 'Cocoon' was such an ensemble picture. But now I'm certain it wasn't only for 'Cocoon.' It was a lifetime award, so I accepted it in that vein, and it probably meant more from a recognition standpoint.
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Not surprisingly, some of the super-rich declined to join the Patriotic Millionaires when the Agenda Project reached out to them. At least two airily dismissed the Bush tax cuts for millionaires and above - which will cost well over $700 billion over the coming decade - as small potatoes.
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As the State is a soulless machine, it can never be weaned from violence to which it owes its very existence.
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Storytelling wise, you've gotta take it as far as you can possibly take it with each individual movie. If you're holding out something for a sequel or some cliff-hanger, that's not how I think of a satisfying story.
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A France or a Belgium is not quite a sovereign nation any more, and thus does not have complete control over its national destiny or foreign relations.
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I was quite convinced that I didn't want to be a lawyer. But I felt that law school would be a useful way to understand public policy and to understand business in this environment.
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If you feel your school is failing you, the question is why. Is it a lack of parental involvement, large classes, school violence, poor learning environment? Are there any standards to determine where problems are? Are there tutoring or mentoring programs? If the school is still failing after 3 years then what are your options?
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But we can’t control the environment; all we can control is the way we react to it.
