Neal Brennan Quotes
Robert Smigel is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches. He's really unique, and he has an amazing comedy mind.
Quotes to Explore
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I play the harmonium. I had learned to use the guitar for a bit before becoming a part of the music industry, but unfortunately didn't pursue it fully. I would love to learn to play the piano because it holds a unique connect for me in terms of rhythm.
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A writer has to live with a sense of honor.
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I love doing sitcoms. I love doing comedy. I love the whole shooting match.
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I was just as voracious a writer as I was a reader.
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I really enjoy laughing at work, and I find that it's easier to do that when you're shooting a comedy.
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The words we use have weight. Whether it's in a conversation with a friend or something said publicly on stage or broadcast. And as performers, we know that because that's why we choose the words we use - that's the whole point of comedy.
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I'd love to do a comedy; that's the one thing I haven't done yet that I really, really want to do.
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Female hysteria is a subject I'm very fond of. I always try to bring it in somewhere. For me, it is the finest part of the line between comedy and tragedy.
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I don't look at myself as a writer; I am a storyteller.
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America is unique in the world. If you don't believe that, just ask someone from another country.
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I'm a musician with a very unique mental state, I suppose. I'm agoraphobic. I'm scared to leave my house. I haven't been alone in, like, two years. I'm either with my boyfriend or my assistant, my manager or my tour manager. I won't go anywhere by myself; I'm too terrified.
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Pastoral ministry is a sacrificial call with unique challenges. We are called to take the Gospel to those with hard hearts and blind eyes.
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For me comedy and violence has a lot in common. Just as you expect, comedy always lurks behind the most unexpected of circumstances.
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Comedy is basically self-deprecation.
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In school, I was playing old men and women, babies, Russian people, and all sorts of weird parts - a lot of comedy - and that's sort of like home to me.
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I was very serene, and I still am, until I start talking in another voice, then suddenly I have a lot of volume and I'm frantic. But I didn't want to be one of those people who's always talking in accents in real life, so I started doing sketch comedy.
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Real comedy doesn't just make people laugh and think, but makes them laugh and change.
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'Tristan' is a very unique case, not just in Wagner's output, but in music in general. It remains contemporary no matter what else surrounds it. There is something self-renewing about it.
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Every country and every culture has traditions that are unique and help make that country what it is. But just because something is a part of your past doesn’t make it right. It doesn’t mean that it defines your future. ... Just because something is a tradition doesn’t make it right.
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The keyhole is my lens as a writer.
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I really believed that my songs were good enough for the whole world to listen to. I had fans from America or the U.K. who would be like, 'Oh my God, I love your music'.
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I'm very artistic and creative, disorganised - ambitious, I would say, if that even makes sense. I'm definitely not the most mathematical person in the world; not scientific. I can't even work out a tip; it's really sad. But I've always thought, play up your strengths and let someone else handle your weaknesses. It's OK. Work together.
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Dance music-as I keep saying, you can dance to a windshield wiper... a windshield wiper that's fairly steady gives you a beat and all you need is an out-of-tune playing 'Melancholy Baby' and you've got dance music.
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Robert Smigel is one of the greatest comedy writers in the last 50 years. "TV Funhouse" and Triumph and all those sketches. He's really unique, and he has an amazing comedy mind.
