Trish Stratus Quotes
Quotes to Explore
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I don't think about the future. I don't think about the past. I just think of what comes into my head at the time. So that might be about the past, that might be about the future. Or, the present.
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Frankly speaking, it's only the script that matters to me the most. If I like the script, then I just commit to myself and go ahead with it. But I also look at the commitment and confidence of the director of the film because it's him who will shape the film.
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With the mega – fame came the mega – downfall – you know, with the press and everything – and at a young age, it was very stressful to me.
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If you were to come to the set of Alias, you'd know how silly we all are. And I mean, silly.
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When you do the wrong thing, knowing it is wrong, you do so because you haven't developed the habit of effectively controlling or neutralizing strong inner urges that tempt you, or because you have established the wrong habit and don't know how to eliminate them effectively.
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It's human nature that we come in our own flavours, and it doesn't make any sense to write a monochromatic or monocultural story unless you're doing something extremely small - a locked room-style story.
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I am careful about fiction. A novel is not a tract or an essay. If I want to write about land reforms, or Hindu-Muslim relations, or position of women, I can do it as it affects my characters as in 'A Suitable Boy.' I could only write about issues specifically through essays. But I'll do that only if I have something worthwhile to say.
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Nothing will ever top 'The Wire.' It was historical. It was black cinema.
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The South is brutalized to a degree not realized by its own inhabitants, and the very foundation of government, law and order, are imperilled.
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Blemishes are hid by night and every fault forgiven; darkness makes any woman fair.
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Bipartisanship is nice, but it cannot be a substitute for action, not having it cannot prevent us from going forward.
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I think I am smart unless I am really, really in love, and then I am ridiculously stupid.
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Consciously picking the right script after a long period of wait helped me grab a perfect film in the rom-com genre.
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I studied literature and Italian at Yale. I wrote my thesis about Italo Svevo, one of my heroes.
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To me, the most worrisome part of traveling comes before any of the traveling actually occurs: the suitcase-packing process. It's a challenging and anxiety-filled process - I am caught between wanting my suitcase to be light and worrying I am going to need every single item in my bedroom.
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The self really is an illusion-and realizing this is the basis of spiritual life.
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If you are a real leader, every single thing is your fault.
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I need to be more romantic. I do. I know that's something women really appreciate.
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In my case, self-absorption is completely justified. I have never discovered any other subject quite so worthy of my attention.
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A diet of violence or pornography dulls the senses, and future exposures need to be rougher and more extreme. Soon the person is desensitized and is unable to react in a sensitive, caring, responsible manner, especially to those in his own home and family. Good people can become infested with this material and it can have terrifying, destructive consequences.
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I simply adore getting dressed up for a special occasion. I feel incredible stepping out in luxurious fabrics and a bit of bling. That's also how I feel about special-occasion dining rooms. Because these aren't everyday spaces, they contain all sorts of drama for that once-in-a-while 'wow' event.
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Looking back, I do think one of the reasons 'Thirteen Reasons Why' has been so successful is not because it deals with serious issues but because I had a unique and interesting way to tell that story. I knew the issues were going to be dealt with in the book, but I felt my job was to write the story as entertainingly as possible.
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Each championship is unique and special.
