Anna Journey Quotes
I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems.
Quotes to Explore
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My mom started working at the California Shakespeare Theater in Oakland when I was two years old, so I've always grown up around theater.
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I'm a total loner. I can't even answer texts or take my phone with me when I'm working!
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I'm a big believer in living life as an extended working vacation.
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Todd and I have a very complementary working style .
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I can't imagine working without and audience.
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I got a job as a human rights and refugees officer, working on youth-based projects. But I realized all the kids I was working with were far more into 'The Daily Show' than the policy briefings.
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It's about working when nobody's watching.
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I don't see the point in working just to be working.
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Pops played football for LSU. Ever since I can remember, I've been working with him running routes and stuff.
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I was working for the CIA and prohibited from speaking publicly.
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I prefer working in good cinema, wherever it is. I like subjects that have a universal appeal.
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I was a big fan of Super Troopers, so working with the Broken Lizard guys was so much fun.
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When you're working well, you don't do research. Whatever you need comes to you.
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I love working with a lot of different films and a lot of different people.
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It's a very unique feeling - to be that strong and unbreakable. But I'm working towards it.
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I tend to write about my anxieties - it's what I'm afraid will happen. And I write a story working it out.
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I definitely know I'm going to be working a lot more with my foundation when it comes to developing the kids in Jamaica.
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When I'm not working, I prefer not to use any make-up so my skin can breathe. And I always moisturise.
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The history of things that didn't happen has never been written.
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I'd pick a young white guy over an old white guy for president anytime because the younger guy is more likely to have been influenced by the great social changes of the '60s and '70s.
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My philosophy is: if you don't bear a cross, you can't wear a crown so you gotta go through some form of humiliation to reach tribulation.
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Painters should shut up and paint and when we stop painting we should dance or have sex or get a massage or take a shower and we shouldn't be talking about painting.
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I like to work with multiple sections because they lend themselves to the structure of the poem: its intensifications and arcs and closures. I feel like working with smaller units feels more natural to the way I write poems.
