Barbara Marx Hubbard Quotes
Quotes to Explore
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Sometimes you have to go up really high to understand how small you really are.
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I love French films, and I copy things I see in them. I read magazines and also look at Tumblr. I love nails, so I literally just search the word 'nails' on Tumblr and start looking.
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You had to go to a different part of town from where I was to get Muddy Waters singles. I had him on singles.
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The hatred Muslim extremists feel against the West feeds on certain conflicts in the world.
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Your body is your temple, it's your home, and you must decorate it.
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How long you live is less important than how healthy you are along the way.
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Renouncement: the heroism of mediocrity.
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Individuals can spend their money more wisely, efficiently and more humanely than can government.
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And upon this act, sincerely believed to be an act of justice, warranted by the Constitution, upon military necessity, I invoke the considerate judgment of all mankind, and the gracious favor of Almighty God.
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There's a burden of representation that comes into play when there aren't enough representatives of a certain group in popular culture.
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When I'm painting, I'm not aware of what I'm doing. It's only after a get acquainted period that I see what I've been about. I've no fears about making changes for the painting has a life of its own.
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I'm cold in summer. I'm the coldest person ever! It's very ironic I'm never cold in the scripts. Every time I'm shooting, if you don't see a part of me, there are hot water bottles there.
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When I was a kid, we got in a cipher and battled each other lyrically. We told jokes and made the hottest dance moves.
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I think being recognized more is something you have to get used to, whether it's here or in California or when I'm traveling. It's more a part of my life. People recognize me from my play or a commercial I've done. It's just a normal part of life now.
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Many of the problems of poverty and need are really problems of physical infrastructure: not enough hospitals, too few schools, insufficient roads, bridges, and a lack of tools. This is what makes traditional philanthropy so daunting. You could build a thousand new hospitals in some parts of the world and barely make a difference.
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If you take a frozen box and stick it in the microwave, you become connected to the factory. We've forgotten who we are.
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For all of its uncertainty, we cannot flee the future.
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Every role is a new form of surrender.
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I think 30 is a big jump from your 20s, but 40 holds no fear for me.
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That's why, to experience that, you know for a fact that a human being is capable of so much more, because to go to that place and to step outside yourself and observe yourself do these things, while the rest of the world is moving in slow motion, is really incredible.
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For me as an actor, I find it's most creative when I'm bringing myself into the role rather than putting the role on. I feel like it's more of a cathartic experience.
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If you want to make people dance, you need to follow certain rules. Build-ups and breaks and stuff. I like to be free. On top of it all, I never really felt that I'm good at making fat-sounding dance tracks.
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When you look at other good-bad movies like 'Sharknado' and 'Birdemic,' those movies know that they're B movies, know that they're silly and over the top, as opposed to 'The Room,' where Tommy Wiseau, the guy at the centre of it all, he attempted to make a very earnest drama.
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All people are born creative. And there's nobody who's helpless, nobody.
