Samantha Ruth Prabhu Quotes
I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
Quotes to Explore
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Let a hundred flowers bloom.
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I've listened to female vocalists my whole life. That's what I love. I still listen to guys' vocals and don't get taken aback a lot.
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I approach these people from a standpoint of love. How were they loved? How do they love? What's going on in their heart? There's that that I think about with every role.
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In the long winter evenings he talked to Ma about the Western country. In the West the land was level, and there were no trees. The grass grew thick and high.
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As for advice for aspiring authors, the best I can give is to be brave. It sounds like a simple enough thing, but it's not. Rejection is such an integral part of this journey, and it never goes away.
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I try to talk about policy issues intelligently, I try very hard to avoid thought bubbles. I make sure my speeches are well researched and footnoted. I make sure I am not talking through my hat.
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So the darkness shall be the light, and the stillness the dancing.
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Humor's always been the problem of my work, hasn't it? When working, I feel satisfied when I surprise myself. And when I surprise myself, I wind up laughing.
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The states are not free, under the guise of protecting maternal health or potential life, to intimidate women into continuing pregnancies.
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I figure this current era of history is the one with the best chance of quality of life for a black, female, disabled, middle-aged, queer person who's most comfortable not fitting in. The odds still aren't great, mind you. But I'll take my chances with the 21st century.
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I don't think it's good for people to know too much about you. With my favourite bands, I don't want to have the inside track on every single aspect of their personal lives.
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I've come a long way since 2007 when I kind of launched my golf career.
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At the beginning of a new project, often before I do any actual writing, I collect photos, quotes, song lyrics, and even objects that relate to the characters or the world I'm creating.
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I do read some of the scripts from America and, even though the themes or subject of the film is very interesting, and some of the scenes are very interesting, there is a tendency that they have to explain everything. There will be no dilemma.
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Only through loving and supporting one another, even in the face of unbearable pain and suffering, will this cycle of violence end.
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I'm going to be the next head coach at Notre Dame.
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If you get 10,000 guys to put their ideal woman into a computer, it still comes out looking like Angelina Jolie.
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I wish I wasn't so in love, wasn't so interested, in the Internet. I wish I spent less time online and more time outside and in my head. Writing requires solitude and deep, deep daydreaming, and the Internet just kills that - its lure is toward the external; it asks you to flit from place to place.
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I'm not bitter. Why should I be bitter? I'm thrilled to death with life. Life is - the way God has given it to me was just a platter - a golden platter of life laid out there for me. It's been beautiful.
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I have a problem with sweets. I have an inability to eat a just little bit. It's almost like I can't even enjoy chocolate anymore - I have to stuff it into my brain, cram it into my ears.
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Exxon, one of the companies that has spent tens of millions of dollars denying climate change, denying any responsibility to deal with, taking government subsidies on a massive scale, now their ads are all about, 'Oh, we want a clean future. We're looking at clean energy and all that stuff.'
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It is a struggle. But I don't mind. I will just keep fighting on.
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I'm writing all the time. I tend to work on at least two books simultaneously. I'll spend time with one, and then I'll spend time with the other. Finishing takes whatever time it takes.
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I have always wanted to work with Lingusamy, as he is a master of commercial cinema. I have always admired his etching of female characters.
