Arik Roper Quotes
Quotes to Explore
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A lot of our animation projects are co-productions with French production companies.
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I am especially fascinated with mermaids, and they are always coming out in pirate stories.
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I usually have 10 different animation projects going at a time.
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I love to drive, especially on tracks, where I go a lot faster.
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I love to eat a lot, but I try to eat healthy stuff. Especially when you're riding, sometimes I get hooked up with the cycling and when you're riding three, four, five hours, then you can put whatever you want in your body.
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The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
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I've got a rubber face. It has always served me very well and really helps, especially as I get older, because I still have all my road map intact, and I can use it at will.
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Love always ends differently and it always begins differently - especially with me.
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I'm interested in animation. I actually feel like I've learned so much about the process how to make an animated movie.
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It's been an ambition of mine, before I even wanted to act, to be involved in animation.
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I love watching Crufts on the television, especially the agility tests; I find them very impressive.
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I miss animation very passionately. Not continuously, but every once in a while I would die to do another film.
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I don't necessarily want to know what people are saying when I'm not around, especially if it's about me. I just don't need to hear extra garbage.
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You'll see why, in animation circles, Miyazaki himself is considered one of the gods.
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Favors are always for ourselves. Especially when we ask for things for other people.
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The beginning is the most important part, especially when dealing with anything young and tender.
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My work is so unorthodox that from one panel to the next, the drawings are completely different... totally opposed to the way of working in something like animation, where every drawing has to look like the one before.
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Loving what you do is almost as important as doing what you love, especially if you need to make a living at it.
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[on the future of hand-drawn animation] I'm actually not that worried. I wouldn't give up on it completely. Once in a while there are strange, rich people who like to invest in odd things. You're going to have people in the corners of garages making cartoons to please themselves. And I'm more interested in those people than I am in big business.
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It would be awesome to know how to sing and be some sort of performer; to feed off other's people's energy is intense. The feeling they must feel would be cool. Too bad I can't sing.
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When I first got to WWE, the head of talent relations was John Laurinaitis, who is now my father-in-law, and the first thing I thought when I saw everything that he had to do is, I thought, 'I would never, in a million years, ever want that job. You could not pay me enough money to have that job.'
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Even when I was in the lead, I was getting too close to the wall, trying to make up time. I drove like I stole it.
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I was always into animation, especially.
