Nick Broomfield Quotes
I think if people give you their time and they haven't got any money then they deserve to get something. Not so that you bribe them to say things that they wouldn't otherwise say.
Quotes to Explore
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Team synergy has an extraordinary impact on business results.
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I don't much care whether rural Anatolians or Istanbul secularists take power. I'm not close to any of them. What I care about is respect for the individual.
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I want to do roles that take women a step farther. I don't want to be slotted into anything. But if I get a brilliant role which requires me to be a mother, then I will do it. But I want people to see that a woman could be anything at whatever age, even if she is married or has two kids.
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There can be no literary equivalent to truth.
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As a brand, Ahla is one of Strauss-Elite's strongest. But we need to do a lot of marketing in order to regain market leadership. I have no doubt that we will do that, even if it takes time.
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I do suspect that this world is hell.
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What we want to do is put a price on greenhouse gases. Because if they're more expensive, businesses will find a way to be more efficient or switch to solar or hydro or wind power. So that will reduce emissions.
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I love a mask. It's why I've got a thing about good writing. When you're acting, you're going into someone else's work. You're behind his words; it's not you.
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Many a poor soul has had to suffer from the weight of the debts on him, finding no rest or peace after death.
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Obviously I will promote 'Vaalu.' It is my film. I am the lead actress in it; I play a major part, and I will promote the film.
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If we mean to have heroes, statesmen and philosophers, we should have learned women.
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Every 20 minutes you've got to have a bump, you've got to have a change in course, you've got to unsettle the audience. It can't be too predictable so something has to happen. I think that was something that Hitchcock did very well too. You couldn't let an audience feel too settled in.
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I got into cars through my father. He used to work on cars. My job was to hold the light, which pretty much was the limit of my mechanical abilities.
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But things move in circles: one minute it's the models who are famous, then it's the actresses, then it's the designers.
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'The Museum of Innocence' is not about politics; it's a love story, but I think it's political in the sense that it wants to capture how a man suppresses a woman.
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I never had those dreams of making the Olympics. Never.
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No state on earth can afford to allow several authorities to co-exist next to one another.
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White racial grievance enjoys automatic credibility, and even when disproven, it is never disqualifying of its bearers.
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In L.A., everyone is competing for the next job, and in New York, it's pretty much the same thing: competing for a better job.
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A lot of the time with child actors, you get the feeling they're trying to have a kind of poise or presentation that's beyond their years that might be put on, but also might be because they've spent years just hanging out with adults and they don't even have a sense of what it's like to grow up with kids their own age.
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You do need money to make a good demo; you do need a bit of financial support.
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You seek help from the elders. A society with elders is healthy. It's not always that way in the West.
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What it is saying is that someone who was a world champion and who takes care of himself with a 17-year rest and applies the proper training techniques and perseverance could be successful.
Mark Spitz -
I think if people give you their time and they haven't got any money then they deserve to get something. Not so that you bribe them to say things that they wouldn't otherwise say.
