Ben Lerner Quotes
Quotes to Explore
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We never had books at home, but my dad, seeing how keen I was to read, took me to Islington Library when I was about eight and we pulled out two - a Biggles and a science fiction novel. I never got the ace fighter pilot but fell in love with all things to do with the future and space. Isaac Asimov soon became my guiding star.
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I wrote my first novel in eighth grade for a boy named Kenny on whom I had an unrequited crush and who sat behind me in social studies.
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Notes are tricky in an audition, because I find, more often than not, my instinct is right.
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I don't have my novel outlined, and I have to write to discover what I am doing. Like the old lady, I don't know so well what I think until I see what I say; then I have to say it over again.
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I love bookstores and booksellers. In my novel 'Dirty Martini,' I thanked over 3,000 booksellers by name in the back matter.
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The novel is a seduction; a reader has to be seduced.
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Speech is an arrangement of notes that will never be played again.
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The waiters' eyes sparkled and their pencils flew as she proceeded to eviscerate my wallet – paté, Whitstable oysters, a sole, and a favorite salad of the Nizam of Hyderabad made of shredded five-pound notes.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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The strange thing about writing is that it's so easy to write a novel. It is really easy. But it's getting there to the point where it's easy that's hard. The hard part is to get there.
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I learn a great deal by merely observing you, and letting you talk as long as you please, and taking note of what you do not say.
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There are few punishments too severe for a popular novel writer.
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I always think first about the nature of the story. When I had the idea for 'The Namesake,' I felt that it had to be a novel - it couldn't work as a story.
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There's a difference between doing memoir and writing a novel. If I had put the story of the boy killing my dog - and that was Eric also, what a little monster he was! - in a novel, even if I took it directly from life, it would be fiction.
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All my novels are very much directly related to my inner life, even though I'm inventing characters, even though it's fiction, even though it's make-believe, it nevertheless is coming out of the deepest recesses of myself.
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I have often noticed that after I had bestowed on the characters of my novels some treasured item of my past, it would pine away in the artificial world where I had so abruptly placed it.
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Snow is so common that I have omitted to note its falling at least two days out of Three.
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Everyone deserves to be the hero of a novel.
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When I began to write seriously, 40 years ago now, my chosen form was the novel.
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'Bowling For Columbine' and 'Gus Van Sant's Elephant' really intrigued me. With 'Bowling For Columbine', I think Michael Moore just gave the perfect exploration of both the mass media interpretation of the event and going into the minds of these kids. These were messed-up kids who had hit a point of no return.
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I regard England as my wife and America as my mistress.
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I don’t want what we’re doing to just end up as notes for a novel.
