Rhett McLaughlin Quotes
As we've come along, we've educated our audience, getting them to understand that brands do not compromise entertainment. For us, they enhance it. They enable it.
Quotes to Explore
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Intimate relationships are a gold mine for literature to explore, to understand, to describe.
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I don't understand why every guy is not a romantic. I enjoy it.
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An actor is somebody who communicates someone else's words and emotions to an audience. It's not me. It's what writers want me to be.
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I did a sitcom with Desi Arnaz Jr. in a pilot called 'Whacked Out.' We were bombing, and Lucille Ball grabbed the mic and started berating the audience.
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I've always been just as interested in making people think as I am in making them feel, and one of the things this scientific process allows me to do is make the audience look differently at dance.
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My best work is often almost unconscious and occurs ahead of my ability to understand it.
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I have to grow with my audience.
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I don't have a director. The audience directs me.
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I don't understand anything about America's culture.
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When you are suffering, you become more understanding about yourself, but also about other people's sufferings too. That's the first step to understand somebody is to understand their sufferings. So then love follows.
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I have this whole new audience now.
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Unless we remember we cannot understand.
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We lived in a flat that you could pretty much fit in my current kitchen. No wonder people drink! I can't understand why they don't throw themselves off the balconies.
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I don't perceive an audience at all when I write a book. It's pure self-indulgence.
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You know, when I put out records that may not work or connect with the audience, it's because I'm pushing myself as an artist creatively, because I'm just bored doing what everyone wants me to do.
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I understand the importance of bondage between parent and child.
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I have a genuine love affair with my audience. When I'm on stage they're not privileged to see me. It's a privilege for me to see them.
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As I understand it, sport is hard work for which you do not get paid.
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Remember, science fiction's always been the kind of first level alert to think about things to come. It's easier for an audience to take warnings from sci-fi without feeling that we're preaching to them. Every science fiction movie I have ever seen, any one that's worth its weight in celluloid, warns us about things that ultimately come true.
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The great apologist has to have lived large and wild. If he's going to kiss the world's boo-boos and make up, he'd better plant some bruises first. A master apologizer has to be a Lord Byron, a Rick in Casablanca, a Lee Atwater, anyway.
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Well, I don't think prisons are the answer to everything, obviously.
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He's right: They have to put madmen with madmen.
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As we've come along, we've educated our audience, getting them to understand that brands do not compromise entertainment. For us, they enhance it. They enable it.
