Arthur Tress Quotes
I believe it is the photographer's function to reveal that which is concealed, even if it be repugnant to the majority, not merely to record what we see around us.
Quotes to Explore
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Who sees the human face correctly: the photographer, the mirror, or the painter?
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Record-breaking is not getting boring. I am definitely happy with that.
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As long as it says Metallica on the record it's Metallica.
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I am a record executive and I shall be right there in your face with my records.
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I have been playing acoustic music for a very long time, and it's something that I am very comfortable doing, so if I made a record, it would probably be a mixture of that and some other things that I'm interested in.
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'Love Tattoo' I recorded without a record company. I'd gotten turned down by the record companies – they said they didn't get me, which is fine, I suppose.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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I have a relatively good track record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Denver and Boulder are good record-buying cities. I don't know why.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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Paul has more, I think, of a feel for the stage. Whereas I have it more for the notes themselves. I love record making and mixing, arranging, producing. That I love. I love to make beautiful things, but I don't like to perform.
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Just because a record has a groove don't make it in the groove.
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I always knew I'd be in music in some sort of capacity. I didn't know if I'd be successful at it, but I knew I'd be doing something in it. Maybe get a job in a record store. Maybe even play in a band. I never got into this to be a star.
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I'm sometimes called a 'documentary photographer' but... a man operating under that definition could take a sly pleasure in the disguise. Very often I'm doing one thing when I'm thought to be doing another.
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There are photographic fanatics, just as there are religious fanatics. They buy a so-called candid camera there is no such thing: it’s the photographer who has to be candid, not the camera.
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I photograph to see what the world looks like in photographs.
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Everything is going to focus around the record, which he is diligently working on now. It's no different from any other hip-hop act; we're going to look for the right opportunities.
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The success definitely shocked me a little, I can’t believe how people gravitated to it. It’s been an amazing record, I definitely didn’t think that it was going to get to the level that it got, but I’m happy that it resonated.
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Everybody, whether or not he puts the question vocally, wants to know whether life has any meaning, what his relation is to 'whatever gods there be,' why he is here, what his destiny is, how sin and pain may be overcome, whether prayer matters, what lies beyond death for himself and his loved ones.
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When I decided to be a musician I reckoned that that was going to be the way of less profit, less money. I was sort of giving up the idea of making a lot of money. It was what I loved to do. I would have done it anyway. If I'd had to work at Taco Bell I'd have still been out at night trying to play music.
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I believe it is the photographer's function to reveal that which is concealed, even if it be repugnant to the majority, not merely to record what we see around us.
