Ricardo Semler Quotes
No-one works for money alone and tapping into what people want from their careers and what they have to offer is essential.
Quotes to Explore
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As technology changes the way we communicate, connect, create, consume and innovate, it is democratizing access to opportunity. Education is no exception.
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A lasting architecture has to have roots.
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I've grown up playing for some incredible coaches, and I don't think anybody's ever been as fortunate as I have in terms of the people I've been allowed to play under, coach under, or be involved with.
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I was a huge comic book fan as a kid. The only problem I had with comic books is how expensive they got. I didn't have a lot of money, so I had to be very specific about what I wanted to collect. I think they're all somewhere in the basement of my folks' house.
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It's not unusual for a would-be entrepreneur to get turned down half a dozen times before finding a willing investor - yet in most companies, it takes only one 'nyet' to kill a project stone dead.
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I never eat in a restaurant that's over a hundred feet off the ground and won't stand still.
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This is my life... I mean, maybe I have Rs 100 crore in the bank, sitting comfortably. If that increases to Rs 10,000 crore, what difference does it make to me.
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When you're filming, it's very different from what you see on screen.
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It was very clear to me I wanted to be an actor when I got out into civilian life.
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Many people with dyslexia truly suffer, and their lives are worse off for having had that disability.
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If you just did a horror tone throughout an entire movie you almost, as an audience, can get a little bit used to it. But if you're laughing one minute and, you know, somebody's doing something quite horrific the next minute, it's a little more shocking.
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My wish is to bring my heroes to the big screen, and many of them have already appeared in my films.
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My idea of artistry has always been 'try everything until you find out what works.'
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I don't think a lot of bands and artists work as hard as we do on the creation, on the writing, the arrangements and the recording in our format.
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In the 1960s, there was a forward way of speaking and inflection.
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I tell my children now that they are older, 'If something happens to me... don't make no big fuss over me. Don't make no big expense on my funeral. Don't put any pressure on the rest of the family. I've loved everybody, and I hope they loved me. But don't create this big expense for the family.'
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I was a carpenter for a time and everybody watches what you do.
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Language is the dress of thought.
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When I sing I don't feel like it's me. I feel I am fabulous, like I'm 10 feet tall. I am the greatest. I am the strongest. I am Samson. I'm whoever I want to be.
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I'm not drunk, just a little stoned.
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We had a strong relationship with Walter Brown, and felt that he was the best owner in the league.
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In general, I write for ages 12 and up - although I've received emails from readers between the ages of seven and seventy. My books are science fiction.
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No-one works for money alone and tapping into what people want from their careers and what they have to offer is essential.
