Arvind Ethan David Quotes
In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
Quotes to Explore
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My favorite book is 'Go Away Big Green Monster.' I wrote it for my granddaughter Adrian, who was in the third grade at the time.
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In my downtime, you'll mostly find me curled up with a book. I love reading biographies. My favourites are those of Dalai Lama, Osama Bin Laden, and Einstein.
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I know from an editor's point of view or a publisher's point of view it's easier to slot me into a particular niche. But I know that I'd be bored unless I wrote a book that in some senses was a challenge.
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I was a top-notch cartoon model for Hanna Barbera, and they made me into a cartoon series called 'Devlin,' which ran for seven years, and I was on lunch pails and coloring books and all of that. It's really interesting being a coloring book when you're young – most kids colored in coloring books, but I made money off coloring books.
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Once I was condemned to three months' absolute silence. As I could not speak, I wrote a book.
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I'm a pretty easygoing person, and it bleeds into the music. Even if I'm writing the most personal song, it's not going to come out totally serious; there's always a little tongue in the cheek.
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The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.
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I think when people make a record with a goal in mind - like taking it to the next level or making them seem more mature - that gets in the way of writing great songs.
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When you're taking a fence on a horse, you don't think much; your body does all the thinking, and you're over or you're not over. It's much the same when you are doing a tricky thing with a pen. There are times when I'm writing very, very fast.
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I was already writing 'The Lost Symbol' when I started to realize 'The Da Vinci Code' would be big. The thing that happened to me and must happen to any writer who's had success is that I temporarily became very self-aware.
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I started writing poetry in high school because I wanted desperately to write, but somehow, writing stories didn't appeal to me, and I loved the flow and the feel and sense of poetry, especially that of what one might call formal verse.
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I always keep myself busy. I'm writing. Or I'm creating something. Or I'm doing stuff with the kids. I'm up incredibly early in the morning; I go to bed incredibly late at night.
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I don't know where I would place myself in the literary landscape. I really just write the book that I would want to read. And I put on the blinders, and I really - it is, for me, that simple.
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I don't think I'm capable of writing without caffeine. And most of the time, that caffeine comes from iced tea.
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I don't think I will ever write about politics or foreign policy. I feel like there is so much good writing in those areas that I have little to add. I also like to steer clear of writing about people whom I do not personally like.
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I can't imagine what it would be like to write in a relaxed state. I'm going to be writing some stories for my own interest. I want to experiment with different things and see if I can approach writing with much less control and in a better psychological state. It will be like breaking out of a straitjacket.
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A classic is a book that doesn't have to be written again.
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I never think that anything I'm writing is bluntly political in any way. I'm not going for commentary.
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'(Songwriting) It's a gift. It all comes from somewhere. I started out really young, when I was four, five, six, writing poems, before I could play an instrument. I was writing about things when I was eight or 10 years old that I hadn't lived long enough to experience.'
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I like to think that when I fall, A rain-drop in Death's shoreless sea, This shelf of books along the wall, Beside my bed, will mourn for me.
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I'd say my artistic bent definitely came from my father, who was a trial lawyer. And if you're smart, you know that a trial lawyer isn't that different from an actor. He was a poet as well.
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I always feel like an outsider. I'll always feel like the nerd at the party.
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What matters most is that we learn from living.
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In my head, the 5 issues of A Spoon Too Short comprise one novel: a 100 page graphic novel sequel to Douglas' two Dirk books, taking some of the ideas he was working on before he died, and a whole bunch of new stuff from me and a little from Max Landis (who is the Executive Producer on the book as well as writing the forthcoming TV series).
