Forrest Richard Betts (Dickey Betts) Quotes
When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to!
Quotes to Explore
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Being 16 years old and getting an electric guitar is never going to get old. There's always going to be kids making music. There's always going to be kids in bands.
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When all your stuff gets smashed, everybody gives you new stuff. And when you've been playing the same guitar since you were like 12, that's a lot like dancing with somebody else's wife.
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I had a guitar when I was 6 or 7, a plastic guitar with the Beatles' faces on it. It would be a collector's item now. It would fetch a hefty sum, I imagine.
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You've heard me call myself a bluesman and a blues singer. I call myself a blues singer, but you ain't never heard me call myself a blues guitar man. Well, that's because there's been so many can do it better'n I can, play the blues better'n me. I think a lot of them have told me things, taught me things.
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My mom always told me I should have a Plan B. I said that if I'm not going to play guitar I'm going to play drums. And if I'm not going to play drums, I'm going to play bass. I always just wanted to play music. I was completely obsessed.
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I was always falling in love at a very young age - kindergarten is when I can remember. There was always a crush. And when I was in sixth grade, I started picking up guitar, so I started wanting to write about it and sing about it.
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Once in a while, the thumb that fits over the neck of the guitar kinda bothers me a little bit, but not that much yet. I figure in time I won't do much because of my age.
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My drummer, bass player, and guitar player sing backgrounds. They play and sing. I can sing all the harmonies, but I can't do it alone.
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Like, when I write a song, the song comes first before production. Everything is written on an acoustic guitar so you can strip away everything from it and have it be equally as entertaining and good without the bells and whistles.
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I started playing bluegrass with my family, so there were the G, C and D chords. I was playing a Martin acoustic because that's what Carter Stanley of the Stanley Brothers played. Then I got into the really raw blues of Hound Dog Taylor and started on electric guitar.
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I quite like to sing, actually - just belting out numbers with my guitar. I find that it's a form of tranquility.
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You feel this pressure that people will take you more seriously if you play guitar, but I've decided I'm a singer and that's enough.
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I'm a bass player from way back and Paul is a guitar player and we've been in many bands.
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I played a lot of keyboards, but I really wanted to produce the sound that was in my head that I was trying to emulate on the keys. I wanted to do it for real. And it makes me look at the keys in a different way. So it's like I'm looking at the guitar and bass more like meat and potatoes and keys like coloring over top of it, you know.
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When I finally put my guitar in the case the last time, I want to be remembered just as a singer, not as a country singer or pops singer - just a singer.
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A guitar is a very personal extension of the person playing it. You have to be emotionally and spiritually connected to your instrument. I'm very brutal on my instruments, but not all the time.
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My dad always played a lot of music, so I heard him playing all the time, and then I decided that I wanted to learn to play guitar, so I got an acoustic and started taking lessons. I wanted to be able to shred like Yngwie Malmsteen.
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The first song I learned on the guitar was a Kenny Chesney song called 'What I Need to Do'; it was just an easy song to play... and it was really cool to see that come full-circle a few years later and have him record a song that I was part of.
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I've always lived in that guitar world. I have noticed kids being more into the real essence of guitar music now.
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A realistic view of humanity will stop the proliferation of impossible injunctions.
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I always thought of it like, 'What can my body do for me?' and not, 'How do I look?'
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I studied Shakespeare all through high school. Both of my parents teach English and history, so it has always been around my experience as a young man.
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[Simone Weil's] life is almost a perfect blend of the Comic and the Terrible, which two things may be opposite sides of the same coin. In my own experience, everything funny I have written is more terrible than it is funny, or only funny because it is terrible, or only terrible because it is funny.
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When Lonnie Mack came out with the guitar instrumental "Memphis" I thought, Oh God, finally somebody we guitar players can relate to!
