Nicola Horlick Quotes
Quotes to Explore
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I have a theory that there are still parts of our mental worlds that are still based around the age of between five and eight, and we just kind of pretend to be grown-up.
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No object is so beautiful that, under certain conditions, it will not look ugly.
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When I first met Big, we were both at a 'Bad Boy' family photo shoot. I was kind of familiar with the name Biggie Smalls, but I really wasn't that much into hip-hop at the time, so I really didn't know that was him. He said he didn't even know I was an artist on 'Bad Boy.'
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Wrestling is something that nothing else can replace for me.
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Don't worry about your heart, it will last you as long as you live.
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The advice I give to all adventurers is to seek a place where they may sleep in safety.
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During a race, it's like I become a machine and the machine becomes a man. I talk to my cars, baby them, shout at them, praise them.
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In the nineties, everybody wants to talk about their rights and privileges. Twenty-five years ago, people talked about their obligations and responsibilities.
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I had got to the dawn of the beautiful not caring, but fully aware, stage, which degenerates so imperceptibly into the doing something unpermissible stage.
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none of what I know is out of books. ... I prefer tactual learning. Touching, on the quick of the sore nail, of present, mobile life. To toy, to gnaw, to tear: at the living element of pain. Like at a living drumstick.
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My bitterness is not an abstract substance, it is as solid as a Christmas cake; I can cut it in slices and hand it round and there is still plenty left, for tomorrow.
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The most influential thing was the two Chris Rock specials that came out when I was in high school. I was obsessed with that stuff.
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Awareness of death is the very bedrock of the entire path. Until you have developed this awareness, all other practices are obstructed.
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The Clinton administration has coddled dictators as few have coddled before.
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CS: I always say there's a tribal element in a rock concert. There's a real back-and-forth thing that goes on between the audience and the performers.
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I find it always pleasurable talking with young people, particularly those aspiring to be writers, out of nostalgia, and because I've always felt that we oldies can learn so much from them and draw from them inspiration in our flagging and rickety years.
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Submitting to others, rather than affirming our own reality, is the heart of active co-dependence—we give up our own inner world in order to be accepted by others.
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I was never up four percent.
