Quentin Tarantino Quotes
Quotes to Explore
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I never took hallucinogenic drugs because I never wanted my consciousness expanded one unnecessary iota.
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Any manager can do well in an expanding market.
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I like sitting close to windows.
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They talk about the failure of socialism but where is the success of capitalism in Africa, Asia and Latin America?
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If you date one woman a year, times 10 years, and that's 10 women.
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I think I've been really good at surrounding myself with really talented people. I've picked the right coattails to ride on.
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In time we grow older, we grow wiser, we grow smarter, and we're better. And I feel like I'm becoming more seasoned, although I don't have my salt-and-pepper hair.
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One of the most important tools we have at the Small Business Administration (SBA) to reach high growth entrepreneurs is the Small Business Investment Company (SBIC) program.
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I'm one of those people if you ask, 'What's your favourite song?' I'm going to give you five. I don't have just one favourite.
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I've never felt like I was born with a silver spoon at all, although I've felt like howling at the moon a lot of times!
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I believe in only one thing: liberty; but I do not believe in liberty enough to want to force it upon anyone.
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I know who I am as an artist and I know what my sound is, but I wanted to know what I could do in order to take it to that next level. So the experiences I had last year of moving to California and traveling to places like Rome and Nicaragua where I met a lot of people just had a really big impact in my life.
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I've never, ever done a piece of work - and can't imagine doing a piece of work - when I've thought, 'I was pretty perfect in that.'
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I got done writing Ports of Call and suddenly realized I have far too much material for the book.
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Maven is very much a haunting presence in 'Glass Sword.' His influence is everywhere, and he dogs Mare and Cal like no other. He's my favorite character to write because he's so complex, but also because he affects everyone else so deeply. He's kind of like the source of gravity. Everyone moves around him and what he's done.
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The guy who says, 'I love the challenge of managing,' is one step from being out of a job.
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I know, as an actor, you have to negotiate, but I can't handle the whole idea that art and commerce are synonymous. It drives me nuts.
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History should belong to all of us, and it needs to include people from different cultural backgrounds. Otherwise, it risks becoming irrelevant to children, who could then become disenchanted with education.
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It's not so much that I write well, I just don't write badly very often and that passes for good on television.
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It's important for me who is at the table with me; the moment when everyone speaks to each other and everyone listens. If there's good food, it's much better.
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As a kid, I harbored this fantasy of starting a company. I looked at the entrepreneur column in Forbes. I looked at it every month and thought, 'I want to be that guy.'
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A peculiar fact about termite-tapeworm-fungus-moss art is that it goes always forward, eating its own boundaries, and, likely as not, leaves nothing in its path other than the signs of eager, industrious, unkempt activity.
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If you just love movies enough, you can make a good one.
