Bernd Becher Quotes
Our camera does not produce pretty pictures, but exact duplications that, through our renunciation of photographic effects, turn out to be relatively objective. The photo can optically replace its object to a certain degree. This takes on special meaning if the object cannot be preserved.
Quotes to Explore
-
I never thought that I would become a staple in the Australian cultural diet. The equivalent of bread or milk, or a fine old Tasmanian Mauve Vein. I think it's because I talk about things that people dare not mention. I don't mean raunchy things or unsavoury things. I call a spade a spade - I discuss things in a realistic manner.
-
Deeply consider that it is your duty and interest to read the Holy Scriptures.
-
Africa is not a fun place, you know. A fun place is somewhere that lifts the spirits, that cossets the senses. I don't think that can be said of the Africa I traveled in.
-
Both chronic, long-term poverty and downward mobility from the middle class are in the same category of things that America likes not to think about.
-
My career is a black comedy of sorts. I spent a lot of time explaining myself to various different groups. But more and more, I'm finding that the desire to communicate, which all these audiences share, is a powerful thing.
-
I have been a judge for 15 years and I've made up my own mind during all that time.
-
I have a problem with people saying feminine means anti-feminist, and I think it's counter-productive to immediately associate anything 'girly' with vanity or stupidity.
-
No element gets people telling crazy stories like mercury does. People have told me tales about pharmacists waxing floors with mercury, mothers rubbing it into babies' skin to kill germs, and 10-year-olds coating dimes in it to make them shine, then blithely carrying them around in their pockets.
-
Poets are always taking the weather so personally. They're always sticking their emotions in things that have no emotions.
-
Extremism is always potentially dangerous, but in Hungary's political reality, Jobbik and the other far-right parties have no chance of having a major influence.
-
The lions taught me photography. They taught me patience and the sense of beauty, a beauty that penetrates you.
-
I have learned to take the part of me that is very fearful and work on that. There is space for that in my life. I have learned to give myself a bit more freedom between 'action' and 'cut.' I come by all that fear honestly, like most humans have. I can't bring it with me to work, so in that way, the work feels quite liberating.
-
Character is like a tree and reputation like a shadow. The shadow is what we think of it; the tree is the real thing.
-
One of the main lessons I have learned during my five years as Secretary-General is that broad partnerships are the key to solving broad challenges. When governments, the United Nations, businesses, philanthropies and civil society work hand-in-hand, we can achieve great things.
-
I'd love to be able to dance like Madhuri Dixit.
-
I think it's very important that the United States keeps out of the local electoral process in Mexico.
-
My experience of ships is that on them one makes an interesting discovery about the world. One finds one can do without it completely.
-
My album is very uplifting and positive and fun. That was my mission - to get people up on their feet and escape the seriousness of life.
-
I get recognized in the street really frequently, which is really shocking. I'm excruciatingly wary of any female under the age of 19. Even when some of them come up to me, they're usually very cordial, nice and polite.
-
Only work which is the product of inner compulsion can have spiritual meaning.
-
A woman has to be twice as good as a man to go half as far.
-
We believe (the four) have information that is relevant and material to the investigation.
-
So many (too many) books are published every year, and it seems everyone is writing a book. Perhaps we should all be reading more and writing less!
-
Our camera does not produce pretty pictures, but exact duplications that, through our renunciation of photographic effects, turn out to be relatively objective. The photo can optically replace its object to a certain degree. This takes on special meaning if the object cannot be preserved.
