Carrie Fisher (Carrie Frances Fisher) Quotes
I have two moods. One is Roy, rollicking Roy, the wild ride of a mood. And Pam, sediment Pam, who stands on the shore and sobs... Sometimes the tide is in, sometimes it's out.
Quotes to Explore
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I would happily have done any of the 'Bourne Identity' sequels. There are good sequels, but I'm not good at making them.
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Some people say I chastise the Republican Party too much.
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I always wanted pink hair.
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I don't know that I would want to be married again, but I do love companionship.
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The message was always, 'It's good to be pretty, but don't look like you're trying to be pretty!' Inherent in that is a lot of misogyny, I think, because the implication is, 'You must work hard to achieve a feminine ideal for which society has nothing but contempt.'
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I write the novels that are possible for me to write, not that ones I think will come across in a certain light.
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I'm constantly coming up with new strategies for getting to the mental place where writing is so joyous and playful that I almost can't help putting the words down.
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I'm like an old vampire, so it's important to talk to young people.
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The Israeli public's willingness to enlist, the warm embrace for the soldiers and the residents of the south, and the desire to contribute and to give at any given moment really warm the heart, and it gives all of us strength.
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The movie medium will eventually take its place as art because there is no other medium of interest to so many people.
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'All-Star Wonder Woman' would get worked on in what is laughably referred to as my 'spare time.' I just ended up with less and less time to devote to it. Eventually, we all realized that it was taking forever, so we just all agreed to hold off on it 'til the time was right to do it properly. Well, I still have a contract; DC never tore it up.
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I am for poetry that is admired by peasant and aristocrat alike.
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It'll certainly give the pigeons something to do.
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In the Marine Corps, everything had a purpose.
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I'm not interested in disposable music.
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'Orphan Black' allows for people to have debates and theories and allegiances to different characters - to trust characters and hate other characters - but it doesn't tell you who is good or bad or right or wrong. That's the most exciting storytelling, in my book.
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That is our first amendment, freedom of speech. But I also believe that we have an obligation to the youth to be somewhat responsible in what we say on records. But I think that comes with age. I think that comes with artists growing up and becoming assured of who they are as people.
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I write for whoever needs to read it.
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Poetry, even when apparently most fantastic, is always a revolt against artifice, a revolt, in a sense, against actuality.
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Ay, in the catalogue ye go for men; As hounds, and greyhounds, mongrels, spaniels, curs, Shoughs, water-rugs, and demi-wolves, are 'clept All by the name of dogs: the valued file Distinguishes the swift, the slow, the subtle, The housekeeper, the hunter, every one According to the gift which bounteous nature Hath in him closed.
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Sometimes people come in as a director, and they just want the result, and they barely want that to tell you the truth. Sometimes directors barely talk to the actors; they are so focused on the cinematic elements of the movie, getting the shot and getting the lighting right or getting the CGI effects right and all of that, and they just trust that you are just going to do what you do.
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I have two moods. One is Roy, rollicking Roy, the wild ride of a mood. And Pam, sediment Pam, who stands on the shore and sobs... Sometimes the tide is in, sometimes it's out.
