Calvin Johnson Quotes
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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I'm an actor; I want to play roles, not a role.
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It would be incredible to work with Stanley Kubrick and go back in time.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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There are times where I am trying to make the big play before I even catch the football.
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It is when we all play safe that we create a world of utmost insecurity.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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Well, you can't argue with somebody that won't argue back.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I prefer to be in a video than to play with it.
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One thing is certain: We can't go back. The musical will never be the same as it was.
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The debt we owe to the play of imagination is incalculable.
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You play it the way you always play it. You look for matchups, and you go through your progression, and you throw it to the guy who's most open.
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When I make a movie, I don't break it down and analyze it. I could but it would get in the way of doing a job - on instinct based on all the research we did going in. you want to trust yourself and your director and your acting partners in the circumstances you're shooting. I don't like to have any kind of overview.
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The best monsters are our anxieties given form. They make sense on the level of a dream - or a nightmare.
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A human being is a deciding being.
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One of the most important things for an actor is to observe humanity.
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I'm not coming back to play.
