Calvin Johnson Quotes
Quotes to Explore
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I was in a Nativity play as a kid. Back then, I played the donkey.
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For me, I'm always looking for the opportunity for a character that challenges me and lets me play two for the price of one.
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I play basketball on Sundays and I'm a very spiritual guy; I read a lot of Eastern philosophy and I meditate.
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I'm an actor; I want to play roles, not a role.
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It would be incredible to work with Stanley Kubrick and go back in time.
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You get on the radio by writing your own songs. But we had the dilemma of not being able to play anywhere because we weren't able to play anything that anyone wanted to hear. So we learned songs that we thought that we could do without puking.
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I think we can leave mullets back in the '80s. I'm really not a big fan of them.
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There are times where I am trying to make the big play before I even catch the football.
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It is when we all play safe that we create a world of utmost insecurity.
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My dream part would be to play Mitt Romney's sarcastic black maid. We could call it 'Mammy & Me.'
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There's such a sense of theatre in getting glammed up; it's like putting on a play or short film.
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Well, you can't argue with somebody that won't argue back.
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I had aches and pains when I played. No player is ever 100 percent, 80 percent, 85 percent. Guys that play 158 or 162 or 145, we are all in the same boat.
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I'm from New Orleans. There's a lot of vampire mystique and mythology that resonates there, and I was fascinated by it. I always wanted to play one.
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We know that the elements in play in a show like 'Confederate' are much more raw, much more real, and people come into them much more sensitive and more invested, than they do with a story about a place called 'Westeros,' which none of them had ever heard of before they read the books or watched the show.
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I prefer to be in a video than to play with it.
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There are a lot of guys who play in pro-style offenses who are not prepared when they come out of college. Either you're coaching the quarterback to be a quarterback, or you're not.
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One thing is certain: We can't go back. The musical will never be the same as it was.
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I taught English and history, so my education for that really helped prepare me for writing historical fiction.
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You hear ten seconds of a song, and you know it's OutKast. There's a strangeness about it because it's catchy, but it's not just pop for the sake of pop. They're pushing the envelope.
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Special-interest magazines are dangerous places for writers to start out in because the writing quickly falls into a routine and people are likely to find themselves artistically exhausted when they want to work on something of their own.
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Appearance blinds, whereas words reveal.
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I'm not coming back to play.
