Carter Burwell Quotes
John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.
Quotes to Explore
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I believe in the institution of marriage and it's like a tag to cement the relationship for your friends, family and public.
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It is not whether you really cry. It's whether the audience thinks you are crying.
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I have been sustained by cane field, the cane plantation I have.
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I'm free - but I'm also not free because there are millions of young people living in Iran. A filmmaker can only do a little.
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I can see through almost any scam, especially one perpetrated by the federal government. I can see through it... they can't pull the wool over my eyes, it's absolutely freakin' impossible to pull the wool over my eyes about the government.
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The first play I wrote was called 'Twenty-five.' It was played by our company in Dublin and London, and was adapted and translated into Irish and played in America.
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Language is possible due to a number of cognitive and physical characteristics that are unique to humans but none of which that are unique to language. Coming together they make language possible. But the fundamental building block of language is community.
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When I throw a ground ball, I expect it to be an out, maybe two.
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Playing live, you can't survive, certainly not in England. We used to work daytime jobs and play gigs at night. It was very exhausting.
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As an author, I had spent years writing my stories on my own in a quiet room. My ideas traveled from my brain to my fingers, executed exactly as I saw fit, never veering from my own intent. TV simply doesn't work that way.
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The reason I dislike talking about the creative process is that I do have a creative process that is a winner and it's a sure thing.
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I learned how music works dealing with Jermaine Dupri, and I learned how image works dealing with Puff Daddy.
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I think clearly the United States, as well as other western nations, should stand by their commitments to human rights and democracy and should try to influence other countries to move in that direction.
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On the one hand, Porto Monenegro is shape-shifting - it replaced a naval shipyard with a new marina - but it's also mind-shifting, opening up an array of other small business opportunities. And this shape-shifting and mind-shifting, it is exactly what we're trying to do in Montenegro.
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Sadat made us feel more secure.
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Consciousness rap - a term that I don't think exactly exists but gets thrown around a lot - is not exactly popular.
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Listen, it's very easy not to be ripped off, you know. Get yourself a lawyer.
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We must oppose programs that would take food from the mouths of younger generations to buy prescription drugs for old people, and we must do it... for the children.
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I always made my songs very conversational, and if anyone ever has a conversation with me, they know I'm a very open guy, very open and honest.
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Every movie you attack has its challenges, and I was excited about the challenges presented by 'Deadpool.' I was a huge fan of the original, and I think, as a director, you have to put the script first.
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What I do is write books for an audience that thinks in a movie language. That's the way I think, and I also believe that not enough authors keep up with the audience.
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With action movies, that's just fun stuff for me. That's me being a kid again. Same with 'The Best of Me' and these romantic dramas. It's such a freedom from reality and social constructions. You get to just have fun and play and be in a movie.
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Any good movie is filled with secrets. If a director doesn't leave anything unsaid, it's a lousy picture. If a picture's unsaid, it's a lousy picture. If a picture is good, it's mysterious, with things unsaid.
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John Barry was my hero when I was about 13. His scores to the James Bond movies were the scores of my life back then.
