Cary Fukunaga (Cary Joji Fukunaga) Quotes
Every single substitute teacher growing up could not pronounce my name, so whenever someone pauses, I'm like, "Oh, that's me."
Quotes to Explore
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I've got Asperger's syndrome and I'm not a very good people person, so I've always been more comfortable around machinery. Not in a weird way - I don't want to marry my car or anything stupid like that!
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Scripture suggests that the elements in space were created for the benefit of earth, while evolution suggests that earth is an insignificant speck in vast space.
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I had this 'War and Peace' thing of wanting to experience war as a kind of incredible human enterprise. I even applied to Officer Candidate School. Then the practical side of me kicked in and I thought, 'I really don't want to get drafted.' So I went down to the physical and checked every psychological disorder and drug on the medical history form.
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I don't get star-struck at all.
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I loved London. In the 1970s... it was very exciting, really wild.
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I'll tell you something: my dad was a nuclear engineer and he was really bright, and I've always said that because of negotiating at such a young age with my dad, it was really such a gift because I could then negotiate with very difficult personalities - and not end up being the scapegoat. I learned to really pick and choose my battles.
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I see many black males grasping for some thread of hope. There are so many destructive practices, glimpses into a psychic abyss. That must be very frightening.
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'The Voice' is built on positivity. Once we started filming, I knew that America was really going to love it.
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When I was born, some of our relatives came to our house and told my mother, 'Don't worry, next time you will have a son.'
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To me, being worth it means being independent and carving your own path. The L'Oreal woman is worth it because she wants to be.
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If you want to test your memory, try to recall what you were worrying about one year ago today.
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Whatever storytelling muscles you've developed as a documentary filmmaker will be extremely helpful as a narrative filmmaker.
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I will not promote other people's songs big time. I will just mention that I produced the song to get the credit I think I deserve.
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An artist's only concern is to shoot for some kind of perfection, and on his own terms, not anyone else's.
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Small paintings can be fantastic. But you can't often get a narrative out of a small painting. In any case, museums are huge places, and you want to take up some space.
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At no time are we ever in such complete possession of a journey, down to its last nook and cranny, as when we are busy with preparations for it.
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I am very superstitious. I trod on a wet towel before winning the Junior World Championships, and now I have to do that every time.
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I want to stop piling people into prisons and stop branding people with a felony for a personal weakness.
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There's a lot of instant spotlight and pressure when it comes to a Bond song.
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Usually in a Smosh sketch, we get 60 shots, 12 hours to shoot - we're just going 'bam, bam, bam.'
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I was an outsider as a kid, and I grew up around a lot of violence.
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My experience growing up in London and growing up in a working class background is that when people are down and out, that's when they're probably the funniest. They have to be. That's what they do to cope, to find joy, 'cause they don't feel the joy inside. Or they use humor to keep people out.
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By the time I entered college, I had decided not to have children, a decision that was never regretted. Accordingly, I was careful to court only girls who wanted to have professional careers.
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Every single substitute teacher growing up could not pronounce my name, so whenever someone pauses, I'm like, "Oh, that's me."
