Casey Miller (Casey Geddes Miller) Quotes
Our native language is like a second skin, so much a part of us we resist the idea that it is constantly changing, constantly being renewed.
Quotes to Explore
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At last, in 1611, was made, under the auspices of King James, the famous King James version; and this is the great literary monument of the English language.
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If you love things or ideas or people that contradict each other, you have to be prepared to fight for every square inch of intellectual real estate you occupy.
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Yiddish, originally, in Eastern Europe was considered the language of children, of the illiterate, of women. And 500 years later, by the 19th century, by the 18th century, writers realized that, in order to communicate with the masses, they could no longer write in Hebrew. They needed to write in Yiddish, the language of the population.
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I like using animals because they help suspend my reader's disbelief. We have certain ideas about dentists. We don't have many ideas about rhinoceros dentists.
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My office in Milan is in an old factory. I have all my companies here, including Italia Independent and Independent Ideas.
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Learning another language is not only learning different words for the same things, but learning another way to think about things.
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I think pop music is a great place to get new ideas across.
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The real being of language is that into which we are taken up when we hear it - what is said.
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Philosophy is written in this grand book, the universe, which stands continually open to our gaze. But the book cannot be understood unless one first learns to comprehend the language and read the letters in which it is composed.
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I keep thinking, we teach children to use language to solve their disputes. We teach them not to hit and fight and bite. Then look what adults do!
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The relations between rhetoric and ethics are disturbing: the ease with which language can be twisted is worrisome, and the fact that our minds accept these perverse games so docilely is no less cause for concern.
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The huge difference in my lifetime is that you can just go up to somebody and make a pass. You couldn't do that in the 1950s if you were gay. There were secret handshakes, a secret language. There was nowhere you could go to be romantic outside of people's houses.
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You used to be able to just call people. You didn't have to be on someone's calendar to have a phone conversation. The telephone was an important and valuable domain of communication, both for casual, friendly chats and for professional exchanges of ideas and information. But no more.
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When I was a graduate student, the leading spirits at Harvard were interested in the history of ideas.
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No grand idea was ever born in a conference, but a lot of foolish ideas have died there.
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I've never been a fan of directors who clutter a piece with all sorts of crazy preconceptions or weird ideas.
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I carry a small spiral notebook with me at all times and have been doing this for many years. There's a shoe box in my closet filled with these notebooks, each riddled with notes and impressions, ideas, schemes, and soup recipes.
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The Swedish language combines the strong manhood of the German with the delicate beauty of the Italian.
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Real programmers can write assembly code in any language.
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When I was a kid it was much more difficult. You're trying to understand what the director wants. It's a learning process. Now, you go in and it's more of a collaboration.
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Imagine a thousand more such daily intrusions in your life, every hour and minute of every day, and you can grasp the source of this paranoia, this anger that could consume me at any moment if I lost control.
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Where I think that 3D will fall apart is going to be as audiences now get treated to incredibly artistic utilizations of space. I think the films that are just sort of done as 3D transfer type films, the audience will perceive the difference in that.
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'Drugs' and psychedelics are not two members of a family, they are antithetically opposed to each other. The pro-psychedelic position is an anti-drug position.
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Our native language is like a second skin, so much a part of us we resist the idea that it is constantly changing, constantly being renewed.
