Randall Jarrell Quotes
The characteristic poetic strategy of our time-refine your singularities-is something Auden has not learned; so his best poems are very peculiarly good, nearly the most interesting poems of our time. When he writes badly, we can afford to be angry at him, and he can afford to laugh at us.

Quotes to Explore
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Traditionally, open-minded secular liberal rationalists have not made a case for tolerance.
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I'm not in the K-1 tournament. We thought about it but they really don't want me as they feel I might get hurt so that's fine with me but I do see a lot of guys out there that I feel I can take.
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We're going to lose more species, acidify the oceans more, do damage that it will take millions of years - if not longer - to unwind. Exactly how much damage will we do? How deep will those scars run? We don't know yet. But we will turn the ship.
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Women are not all single-issue voters.
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But when I played Woodstock, I'll never forget that moment looking out over the hundreds of thousands of people, the sea of humanity, seeing all those people united in such a unique way. It just touched me in a way that I'll never forget.
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I have a sidekick, Keith Robinson, who's very funny. I've known Keith for over 20 years; he's my best friend.
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I was always active as a kid. I was a professional figure skater for many years and I was a dancer, so it's just been part of my life, and I think that creates a certain body type.
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To play four hands requires two people who have great affinity for each other.
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Fallible characters are more interesting than superheroes in the end.
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If you have decisions taken from time to time at the level of the executives, which gives the impression of being discriminatory, if you are not open when government is functioning, then obviously people will make allegations.
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I want to be a mayor who helped, really helped.
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About a year after leaving drama school or a year and a half - and I was working solidly ever since leaving drama school - I picked up 'Game of Thrones.'
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As a young teenager I looked desperately for things to read that might excuse me or assure me I wasn't the only one, that might confirm an identity I was unhappily piecing together.
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You have to find ways to relate to the characters you get to play. Put it in terms and in a context that speaks to you.
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I've got that Beethoven energy, that Stravinsky energy. And it's all a gift from the Creator.
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I am more excited about 'Divinity of Doubt: The God Question' than any other book in my entire career, and I've had seven New York Times bestsellers, three of them reaching number one.
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It's my approach as a filmmaker always to go in, not with a thesis or preconceived notion, but with curiosity and questions and inquiry. So in some way, I'm always surprised. I'm always finding paths of engagement.
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The more desperate you are, the more mistakes you make.
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I can't shoot myself in the foot before I get in the chorus line.
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Secrets are more powerful when people know you've got them.
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I came to Los Angeles for the first time in 1994. I spoke no English. I only knew how to say two sentences: 'How are you?' and 'I want to work with Johnny Depp.'
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A lot of people have said a lot of great things about Steve Jobs. And for good reason: he built the world's second-most valuable company, with billions in profits and products that have improved every aspect of our lives. But Steve didn't get there by being a soft, fluffy, Kumbaya-type leader.
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I was irrevocably betrothed to laughter, the sound of which has always seemed to me the most civilised music in the world.
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The characteristic poetic strategy of our time-refine your singularities-is something Auden has not learned; so his best poems are very peculiarly good, nearly the most interesting poems of our time. When he writes badly, we can afford to be angry at him, and he can afford to laugh at us.