Wole Soyinka Quotes
What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
Quotes to Explore
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What is wonderful about great literature is that it transforms the man who reads it towards the condition of the man who wrote.
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I had a major bug for cities and for paintings and literature and all the things I thought went on in cities.
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After Brown, I went to Duke, to a Ph.D. program in American literature. My dad's an English professor. After a year there, I was like, 'Jesus. I don't want to do this. I don't want to be in the library.' So I pulled the ripcord, and that was it.
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But I honestly don't read critics. My dad reads absolutely everything ever written about me. He calls me up to read ecstatic reviews, but I always insist that I can't hear them. If you give value to the good reviews, you have to give value to the criticism.
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Criticism is prejudice made plausible.
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I'm a big reader, so when I was in 'Pride and Prejudice,' or, like, in Poirots and Marples, those are all books that I loved, and so it was really exciting for me to inhabit characters from literature that I knew and recognized.
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Chinatown is tremendously interesting... It's a part of the city that hasn't really been explored in crime literature or in any general literature. It's as though Chinatown didn't exist. People write about New York without mentioning Chinatown at all.
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While liberals are leery of religious fundamentalism in general, they consistently imagine that all religions at their core teach the same thing and teach it equally well. This is one of the many delusions borne of political correctness.
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This is the harsh truth about us: not only do Filipinos ignore books, literature - we do not understand how important the arts are - not just to those of us who work at it, but to the nation as a whole.
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Literature is a beautiful way of keeping the imagination alive, of visiting worlds you would never have time to in your day-to-day life. It keeps you abreast of a wider spectrum of human activities.
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It is literature which for me opened the mysterious and decisive doors of imagination and understanding. To see the way others see. To think the way others think. And above all, to feel.
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The land of literature is a fairy land to those who view it at a distance, but, like all other landscapes, the charm fades on a nearer approach, and the thorns and briars become visible.
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I first encountered Bradbury's writing when I was pretty young. He's a great bridge author between young-adult fiction and literature.
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Most of the time, I'm not even working; I'm just helping people, because I feel that I am too lucky.
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It takes a lot of energy to teach.
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What puzzles me most is your criticism that he showed 'no sense of engagement'. I haven't met the expression before, and feel bound to comment on its totalitarian tang. Engagement not with the truth as the speaker apprehends it, but with the alleged opinion of the majority of listeners.
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We are, even now, killing ourselves over ancient literature. Who would have thought something so tragically absurd could be possible?
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I've always believed that a writer has got to remain an outsider. If I was offered anything like the Nobel Prize for Literature, I'd find it an extremely difficult conflict because I'd be basically disinclined to accept.
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I said this morning that in this business, you have to reward the players that are playing well, and Michael Garnett is definitely giving us a chance to win. It's pretty easy to say his confidence is growing, and our confidence in him is growing also.
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Every idea has its time.
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When you don't talk down to your audience, then they can grow with you. I give them a lot of credit to be able to hang with me this long, because I've gone through a lot of changes, but they've allowed me to grow, and thus we can tackle some serious subjects and try to just be better human beings, all of us.
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Americans long thought that nature could take care of itself-or that if it did not, the consequences were someone else's problem. As we know now, that assumption was wrong; none of us is a stranger to environmental problems.
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We've reached a difficult level to break. That doesn't mean don't keep trying.
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What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
