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If you are corrupt and you have extra cash you are able to shut the mouth of your accuser and they will be silenced.
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The idea of having to make constant reference to politics is anathema to my calling as a writer.
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Next to the commodities of corruption, and religion, however, Nigeria is the world capital of rumour mongering.
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The writer is the visionary of his people... He anticipates, he warns.
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As you get drawn more and more into other activities, like political activities, very demanding, you have to find different rhythms of writing; I think that's the word I'm looking for, rhythms of creativity which then, of course, become very intense. I think your writing then tends to be very intensified simply because there are other demands which seem equally important.
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You go to conferences, and your fellow African intellectuals - and even heads of state - they all say: 'Nigeria is a big disappointment. It is the shame of the African continent.'
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I happen to be unfortunately temperamental. No, my temperament is also, what you describe to rainfalls, the will of society, to combat a number of contradictions. That happens to be my creative temperament.
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Let's say there are prospects for a new Nigeria, but I don't think we have a new Nigeria yet.
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My horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
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Of course I've enjoyed having the Nobel Prize, the prestige that goes along with it, the money that came with it in particular. I was the typical, still am to some extent, impecunious writer, just struggling to make ends meet, so that, nobody's going to deny that at all. In fact, if they want to give it to me a second time, I'm standing by, ready to receive it, but it's a problem, it's a real problem and then expectations and then you have monsters like Sani Abacha who come up from time to time and who would have died a happy man if he'd succeeded in hanging a Nobel Laureate for literature.
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There is only one home to the life of a river-mussel; there is only one home to the life of a tortoise; there is only one shell to the soul of man: there is only one world to the spirit of our race. If that world leaves its course and smashes on boulders of the great void, whose world will give us shelter?
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When you are looking for corruption, you should look at the entire stratum of the society, while some forms of corruption are direct, others are indirect.
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I believe that each writer must decide in which language he or she is most comfortable.
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I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
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Don't feel that you have to tailor your literature a particular way to please any school of ideology. There will emerge in its own right, effortlessly, some kind of ideological direction which is a reflection of your thinking and you want your thinking, above all.
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Governance can dig itself into a huge hole and not even know it's in there.
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For me, a writer is already being the deuce of his mission, his occupation to society.
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Pity you can't be present during my periodic fault-finding sessions with my image in the mirror!
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I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.
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You cannot live a normal existence if you haven't taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.
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I began writing early - very, very early... I was already writing short stories for the radio and selling poems to poetry and art festivals; I was involved in school plays; I wrote essays, so there was no definite moment when I said, 'Now I'm a writer.' I've always been a writer.
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I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.
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The man dies in all those that keep silent.
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When I say war, I'm not talking about mental war; I'm talking about totally eliminating the obstacles to transformation of our children.