Wole Soyinka Quotes
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What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
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There's something about the theater which makes my fingertips tingle.
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And I believe that the best learning process of any kind of craft is just to look at the work of others.
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When I say war, I'm not talking about mental war; I'm talking about totally eliminating the obstacles to transformation of our children.
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I think Nigerians got it wrong from independence as people became so conscious of the divisions because we wanted so much to satisfy the plurality of interests. I will say, we neglected the importance of real value, human value and the quality of potential in human beings and we contrived phrases like geographical spread, regional quota, etc and allowed mediocrity to reign. I think that is the problem that we are dealing with till today.
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Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.
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I believe that prizes are useful things for the disciplines, whether we are talking about chemistry or we're talking... It motivates, it, you know, inspires, it encourages and it brings, in the case of literature, it brings literature, the arts out of the ghetto.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
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One, a mass movement from within, which, as you know, is constantly being put down brutally but which, again, regroups and moves forward as is happening right now as we are speaking.
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I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.
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I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
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Obasanjo has openly endorsed violence as a means of governance, embraced and empowered individuals whose avowed declarations, confessions and acts are cynically contrary to the mandate that alone upholds the legitimacy and dignity of his office.
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I have no money to give to you but I have ideas and organizational capacity.
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I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.
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I think the epicentre of terrorism whether you call it cesspit or whatever you want to call it, shift, if you asked me a while ago, I would have said Somalia, Somalia has quietened a bit - and I think the epicentre right now is in Northern Nigeria.
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The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
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Romance is the sweetening of the soul With fragrance offered by the stricken heart.
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You accept whoever you are interacting with, directly, or indirectly.
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But the ultimate lesson is just sit down and write. That's all.
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Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.
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Writers - human. I shudder to think how I must sometimes appear to others.
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How do I feel when I am invited to a congregation of scientists? I feel quite at home. When they break into their cultic scientific argot, I know when I'm not wanted and step out for a drink.
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As I grew older and more mature, I've been able to move beyond the immediate response of violence to a projection of the pragmatic, political consequences of that violence. So it's an effort to attain equilibrium.
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If man cannot, what god dare claim perfection?