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I think Nigerians got it wrong from independence as people became so conscious of the divisions because we wanted so much to satisfy the plurality of interests. I will say, we neglected the importance of real value, human value and the quality of potential in human beings and we contrived phrases like geographical spread, regional quota, etc and allowed mediocrity to reign. I think that is the problem that we are dealing with till today.
Wole Soyinka -
One, a mass movement from within, which, as you know, is constantly being put down brutally but which, again, regroups and moves forward as is happening right now as we are speaking.
Wole Soyinka
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
Wole Soyinka -
We do not ask the mountain's aid to crack a walnut.
Wole Soyinka -
The media must be used effectively to reach the masses. You have to find a new language in which to address the people and demonstrate what is possible.
Wole Soyinka -
The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice. The proof of that is the ability of a dictator to snuff out the life of a writer.
Wole Soyinka -
For me, justice is the prime condition of humanity.
Wole Soyinka -
Writers - human. I shudder to think how I must sometimes appear to others.
Wole Soyinka
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Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.
Wole Soyinka -
The novel, for me, was an accident. I really don't consider myself a novelist.
Wole Soyinka -
I don't really consider myself a novelist, it just came out purely by accident.
Wole Soyinka -
Be yourself. Ultimately just be yourself.
Wole Soyinka -
I think I'm a very lazy writer and by that I mean that I do not battle, I don't struggle too hard against it. If I have difficulties in the writing, I just go and do other things. I don't feel a compulsion to write.
Wole Soyinka -
Romance is the sweetening of the soul With fragrance offered by the stricken heart.
Wole Soyinka
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How do I feel when I am invited to a congregation of scientists? I feel quite at home. When they break into their cultic scientific argot, I know when I'm not wanted and step out for a drink.
Wole Soyinka -
I rarely use mythology for its own sake because, as a theatre person, the mythological figures are in fact humanity to the ninth degree and Yoruba mythology in particular has fascination of being one of the most humanised mythologies in the world.
Wole Soyinka -
As a global citizen, I sometimes feel like denying my identity.
Wole Soyinka -
Wole SoyinkaMy horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
Wole Soyinka -
Writers are human. I shudder to think how I must sometimes appear to others.
Wole Soyinka -
The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
Wole Soyinka
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Given the scale of trauma caused by the genocide, Rwanda has indicated that however thin the hope of a community can be, a hero always emerges. Although no one can dare claim that it is now a perfect state, and that no more work is needed, Rwanda has risen from the ashes as a model or truth and reconciliation.
Wole Soyinka -
There are different kinds of artists and very often, I'll be very frank with you, I wish I were a different kind.
Wole Soyinka -
The man dies in all those that keep silent.
Wole Soyinka -
But theater, because of its nature, both text, images, multimedia effects, has a wider base of communication with an audience. That's why I call it the most social of the various art forms.
Wole Soyinka