Wole Soyinka Quotes
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Writers are human. I shudder to think how I must sometimes appear to others.
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Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.
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A human feast is an indifferent morsel to a god.
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We all have our individual artistic temperaments as well as partisanships in creative directions. And we have strong opinions on the merits of the products of our occupation.
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I have no money to give to you but I have ideas and organizational capacity.
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We wasted a lot of creative energy in that immediate post colonial era, when there was a struggle between, you know, the Cold War between the capitalism and communism. Many writers just wasted their energy and their talent because they want to be ideologically correct and of course all they produced was propaganda.
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There's a kind of dynamic quality about theater and that dynamic quality expresses itself in relation to, first of all, the environment in which it's being staged; then the audience, the nature of the audience, the quality of the audience.
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I believe that prizes are useful things for the disciplines, whether we are talking about chemistry or we're talking... It motivates, it, you know, inspires, it encourages and it brings, in the case of literature, it brings literature, the arts out of the ghetto.
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I think the epicentre of terrorism whether you call it cesspit or whatever you want to call it, shift, if you asked me a while ago, I would have said Somalia, Somalia has quietened a bit - and I think the epicentre right now is in Northern Nigeria.
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Religion is all based on the mentality of "I'm right", but now today it's moved from even the question of "I'm right and I'm willing to tolerate those who agree that I am right or those who don't disturb me anyway". Now, it's a question of "If you do not accept that I'm right, I have a right to kill you". That is the mentality of religious fundamentalism today. That is the meaning of the kind of terror which we are witnessing today, that everybody is expendable who do not actually physically line up behind me.
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I think Nigerians got it wrong from independence as people became so conscious of the divisions because we wanted so much to satisfy the plurality of interests. I will say, we neglected the importance of real value, human value and the quality of potential in human beings and we contrived phrases like geographical spread, regional quota, etc and allowed mediocrity to reign. I think that is the problem that we are dealing with till today.
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Writers who open up horizons for other people are performing a function every bit as important as a consciously politicized writer.
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My definition of slavery is the deprivation of human volition, any form of relationship between two peoples which is based on the deprivation of volition of one side.
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The very function of creativity, of the elaboration of the human condition only enlarges the human spirit and, I mean, as a writer I don't want to read political literature all the time. It would be terribly boring and, you know, abrasive, but just reading the insights, you know, partaking of the insights of a writer into phenomena, into society, into human relationships, both on a micro level and on a macro level, is already a function.
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As a global citizen, I sometimes feel like denying my identity.
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And gradually they're beginning to recognize the fact that there's nothing more secure than a democratic, accountable, and participatory form of government. But it's sunk in only theoretically, it has not yet sunk in completely in practical terms.
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Looking at faces of people, one gets the feeling there's a lot of work to be done.
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Obasanjo has openly endorsed violence as a means of governance, embraced and empowered individuals whose avowed declarations, confessions and acts are cynically contrary to the mandate that alone upholds the legitimacy and dignity of his office.
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If man cannot, what god dare claim perfection?
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What I teach is literary criticism and comparative literature and so on and that's my function, but from time to time it's possible for me actually to help a writer. I read something and something strikes me then, I feel I can talk to that writer about it.
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But the ultimate lesson is just sit down and write. That's all.
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The youth should come together to challenge the status quo. They must not give up.
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You accept whoever you are interacting with, directly, or indirectly.
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As I grew older and more mature, I've been able to move beyond the immediate response of violence to a projection of the pragmatic, political consequences of that violence. So it's an effort to attain equilibrium.