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Of course I've enjoyed having the Nobel Prize, the prestige that goes along with it, the money that came with it in particular. I was the typical, still am to some extent, impecunious writer, just struggling to make ends meet, so that, nobody's going to deny that at all. In fact, if they want to give it to me a second time, I'm standing by, ready to receive it, but it's a problem, it's a real problem and then expectations and then you have monsters like Sani Abacha who come up from time to time and who would have died a happy man if he'd succeeded in hanging a Nobel Laureate for literature.
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As a president, you've got to show some example. I am disturbed for instance when I read that a candidate said, 'I will not probe anybody or something like that'. You don't fight corruption by sweeping everything under the carpet, you don't. You just say, am going to allow the law take its course; I am going to empower the agencies which has been set up for such specific purpose of stemming the corrupt out flow of resources from this nation and don't even talk to me about corruption beyond saying you going to strengthen existing institutions.
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For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
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You cannot live a normal existence if you haven't taken care of a problem that affects your life and affects the lives of others, values that you hold which in fact define your very existence.
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Governance can dig itself into a huge hole and not even know it's in there.
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For me, a writer is already being the deuce of his mission, his occupation to society.
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.
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I think that feeling that if one believed absolutely in any cause, then one must have the confidence, the self-certainty, to go through with that particular course of action.
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When you fight corruption, corruption strikes back and that is the truth because when you fight corruption, you get confidence and when it gets to impunity, then it gets aggressive and says, 'oh, so you think you are different? You think you are tough and different?' This is why some of us are almost permanently in the libel court.
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I grew up with a very strong sense of what is just and what is not or, to put it this way, I grew up with a keen sense of a division, the reality of a division of perception in people's lives between those who govern and those who govern.
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When I say war, I'm not talking about mental war; I'm talking about totally eliminating the obstacles to transformation of our children.
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Society itself is responsible for the degradation.
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I found, when I left, that there were others who felt the same way. We'd meet, they'd come and seek me out, we'd talk about the future. And I found that their depression and pessimism was every bit as acute as mine.
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I think most writers would like a quiet space, complete isolation, in which they control their own time. Spaces of creativity in which there's very little interruption.
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For me, justice is the prime condition of humanity.
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There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda.
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I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they've finished or covered at least a number of those pages. No, I'm not like that. I have to be ready. It has to gestate it for quite a while and then it's ready to burst forth.
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There's something about the theater which makes my fingertips tingle.
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Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
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We must acknowledge that we made a huge error in satisfying the lowest common denominator of the available human potential in Nigeria and we elevated what I call the reign of mediocrity. Quite frankly, I think it is about repudiating the past, creating space for new thinking for the best of the new generation, creating both political and geographical space and going at it with single mindedness that says, 'enough of buttering, sentiments and massaging the ego of the old brigade'.
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We do not ask the mountain's aid to crack a walnut.
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I have no money to give to you but I have ideas and organizational capacity.
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We wasted a lot of creative energy in that immediate post colonial era, when there was a struggle between, you know, the Cold War between the capitalism and communism. Many writers just wasted their energy and their talent because they want to be ideologically correct and of course all they produced was propaganda.