Wole Soyinka Quotes
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The media must be used effectively to reach the masses. You have to find a new language in which to address the people and demonstrate what is possible.
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For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
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Only 4 sets of people can vote for the PDP: those who are intellectually blind; those who are blinded by ethnicity; those who are blinded by corruption and therefore afraid of the unknown, should power change hands; and finally those who are suffering from a combination of the above terminal sicknesses.
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One thing I can tell you is this, that I am not a methodical writer.
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As a president, you've got to show some example. I am disturbed for instance when I read that a candidate said, 'I will not probe anybody or something like that'. You don't fight corruption by sweeping everything under the carpet, you don't. You just say, am going to allow the law take its course; I am going to empower the agencies which has been set up for such specific purpose of stemming the corrupt out flow of resources from this nation and don't even talk to me about corruption beyond saying you going to strengthen existing institutions.
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The problem with literature, with writing, is that it works sometimes in terms of correction of social ills. Other times, it just does not suffice. The proof of that is the ability of a dictator to snuff out the life of a writer.
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Nigeria is so peculiar and dramatic. Even talking about the potentials before we talk about the negativities, Nigeria is a nation for perpetual study. I think in Nigeria, it is the potential which hits people and makes them believe in Nigeria. It tends to make them react when they see potentials being wasted and it is a tragedy to see potentials wasted. But paradoxically, it is a realization of the existence, that positive, that keeps many Nigerians and even foreign people going.
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Colonialism bred an innate arrogance, but when you undertake that sort of imperial adventure, that arrogance gives way to a feeling of accommodativeness. You take pride in your openness.
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Very conscious of the fact that an effort was being made to destroy my mind, because I was deprived of books, deprived of any means of writing, deprived of human companionship. You never know how much you need it until you're deprived of it.
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My understanding of the creative process is simply that all cultures and all concerns meet at a certain point, the human point in which everything is related to one another. That has been my creative experience.
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We wasted a lot of creative energy in that immediate post colonial era, when there was a struggle between, you know, the Cold War between the capitalism and communism. Many writers just wasted their energy and their talent because they want to be ideologically correct and of course all they produced was propaganda.
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I have no money to give to you but I have ideas and organizational capacity.
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There is not a special imposition on writers to be activists. All that does is encourage writers to write propaganda.
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There are different kinds of artists and very often, I'll be very frank with you, I wish I were a different kind.
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Religion is all based on the mentality of "I'm right", but now today it's moved from even the question of "I'm right and I'm willing to tolerate those who agree that I am right or those who don't disturb me anyway". Now, it's a question of "If you do not accept that I'm right, I have a right to kill you". That is the mentality of religious fundamentalism today. That is the meaning of the kind of terror which we are witnessing today, that everybody is expendable who do not actually physically line up behind me.
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There's something about the theater which makes my fingertips tingle.
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We must acknowledge that we made a huge error in satisfying the lowest common denominator of the available human potential in Nigeria and we elevated what I call the reign of mediocrity. Quite frankly, I think it is about repudiating the past, creating space for new thinking for the best of the new generation, creating both political and geographical space and going at it with single mindedness that says, 'enough of buttering, sentiments and massaging the ego of the old brigade'.
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Wole SoyinkaMy horizon on humanity is enlarged by reading the writers of poems, seeing a painting, listening to some music, some opera, which has nothing at all to do with a volatile human condition or struggle or whatever. It enriches me as a human being.
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One, a mass movement from within, which, as you know, is constantly being put down brutally but which, again, regroups and moves forward as is happening right now as we are speaking.
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Society itself is responsible for the degradation.
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I know there are other writers who sit down religiously every morning, they take their espresso, they put a clean sheet of paper there and they sit looking at that paper until they've finished or covered at least a number of those pages. No, I'm not like that. I have to be ready. It has to gestate it for quite a while and then it's ready to burst forth.
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I don't really consider myself a novelist, it just came out purely by accident.
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We do not ask the mountain's aid to crack a walnut.
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Given the scale of trauma caused by the genocide, Rwanda has indicated that however thin the hope of a community can be, a hero always emerges. Although no one can dare claim that it is now a perfect state, and that no more work is needed, Rwanda has risen from the ashes as a model or truth and reconciliation.