Winona Ryder Quotes
How I was raised was, there were no rules - nothing like that. If I wanted to take a drug because I was in school and everybody was doing it, I could go to my parents and say, "I really want to try this." And they'd say, "If you do this, O.K., but this is what can happen to you..." They'd say, "Don't get it in the streets, because it could be really bad and make you freak out. Don't take it in a crowded place, because you'll panic."
Quotes to Explore
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Loser lit antiheroes aren't well intentioned or earnest; they don't care whether you like them or not. They're self-mocking, ironic and inventive; they narrate their downfalls with manic wordplay, rampant metaphors, wisecracks, and escalating flights of spleen-fueled lyricism.
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It is possible to tolerate anything as long as it only affects you. But the method of collective punishment is bigger than that.
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I am writing a book called 'The History of Australia in Hundred Objects.' It's of things we have invented in Australia. And you know, some of them are amazing. We invented the clapper boards used in films. We invented those cranes - those big long cranes used on construction sites.
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In the Seventies, a lot of executions via electric chair failed because of technical problems. Seed tells the true story of someone who survived and sought revenge. They buried him alive to make it seem he was dead.
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If I got hit by a truck, I would want to go to hospital, but if something is bothering me I will see my naturopath.
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I'm not a writer. I'm not smart. I couldn't possibly even write my own story.
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I try to support stories that enable us to see the difficulties in our society and the challenges we face, which is why I've also produced documentaries like 'Brick City' and 'Serving Life.'
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I don't even make multiplayer games much, so dealing with multiple characters is something new for me – or, rather, something I've had to recall from my days as a roleplaying adventure designer where the party was everything!
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I can't pretend that I'm a great student of the art of comedy because anybody that becomes philosophical about humour doesn't know what he's talking about.
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Bohemia is nothing more than the little country in which you do not live. If you try to obtain citizenship in it, at once the court and retinue pack the royal archives and treasure and move away beyond the hills.
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My judges preach against free love openly, practice it secretly.
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Hollywood panders to the 18-to-34 crowd. That demographic doesn't care about race and the package it comes in. They care about the hottest chick. They just like hot chicks.
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Authenticity is very important - be true to one's self.
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The male corporate model is built on a man's greater willingness to be a slave of sorts - especially once he has to provide for children.
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I'm at Miramax now, where I've actually been treated like a Prince.
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As big a problem as gun violence is for Chicago, it is not beyond our ability to solve. Ending this string of tragedies is our top priority as a city. We are infusing our police department with the manpower, technology and training to meet this challenge head on.
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I am not interested in a long life. I am not afraid of these things. I don't mind if my life goes in the service of this nation. If I die today, every drop of my blood will invigorate the nation.
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I still think that if the human race, or even one nation, could only get right about its God the rest would follow.
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What's exciting is there's a curtain that divides the audience from this other world. You want to see behind.
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I did the plays in middle school. I was cast as a gate in my fourth grade play, and every year I got a bigger role. Then, in 7th grade, I played Smike in 'Nicholas Nickleby,' and the casting director saw me and asked me to audition for a movie. That movie led to me getting 'Moonrise Kingdom.'
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Rap is rhythm and poetry. Hip-hop is storytelling and poetry as well.
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It takes mystical insight to see the beauty and innocence in each other, even when that is not what we are showing to the world. That is why God is needed in intimate relationships, to move us beyond the perceptions that can so often poison love.
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What I've been doing with my misfit, so-called acting career in film from day one on my first film, 'Spanking The Monkey', is, I've kind of made a concerted effort to hijack my acting career to turn it into film school, because I've always had the blasphemous idea of becoming a reasonably competent filmmaker in my own right some day.
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How I was raised was, there were no rules - nothing like that. If I wanted to take a drug because I was in school and everybody was doing it, I could go to my parents and say, "I really want to try this." And they'd say, "If you do this, O.K., but this is what can happen to you..." They'd say, "Don't get it in the streets, because it could be really bad and make you freak out. Don't take it in a crowded place, because you'll panic."
