William Macneile Dixon Quotes
To understand any living thing, you must, so to say, creep within and feel the beating of its heart.
Quotes to Explore
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If you're in a dark place, you're there for a reason. And the only way to get through to those kids or to other people going through the same thing is really to meet them in that dark place and then slowly bring them to the light.
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I was always very determined and ambitious, and I knew I would do something that would let me travel and stuff, but I didn't know really know what I would do to get there.
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The public's nerves are raw and edgy. You have to be discreet and understanding about the films you are showing.
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Istanbul is a vast place. There are very conservative neighbourhoods, there are places that are upper class, Westernised, consuming Western culture.
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Christianity has stayed stable, as it must do. The doctrines don't change. The understanding of what it means to walk with God doesn't change. The reality of worship doesn't change, not at heart, anyway. So Christianity appears to be stuck.
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I've struggled with depression before. For me, music was always a very positive way to will myself out of that situation.
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It is not empty rhetoric to talk of the Free World.
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I think I've always been somebody to break rules.
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At a time when 2500 American soldiers have given their lives for the cause of bringing democracy to Iraq, it is sad and frustrating to watch the Republican establishment disgrace the exercise of democracy in our own House of Representatives.
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The government has a history of not treating people fairly, from the internment of Japanese Americans in World War II to African-Americans in the Civil Rights era.
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I find short, fast romances romantic. There's a beauty to dark imagery.
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Fresh out of college, you tend to join a company because it's a job. But, you tend to stay because it becomes a career; you start to feel at home. In the beginning of your career, you're focused on you: 'I like this place because I'm doing rewarding work; they take good care of me; the people are nice; there's runway for me,' etc.
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With every film that you do, you're always so nervous. You feel exposed because you know people will see this eventually. You sort of have to put all that out of your head. What will be will be. But it's nerve wracking.
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As long as I have a heartbeat, I'm fine. So I just do what I love, and I do it the best that I can. And if it all goes away, I'll just start over.
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A lot of the things I was doing on the first couple Washed Out releases was very naive.
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Each day more coalition MPs in seats outside the South East come out against George Osborne's regional pay cut plans, and Vince Cable now claims they are dead.
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Ironically, my paintings don't photograph well.
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You get to a new school, and you're the new guy, or you're the foreigner, or you're the guy with the funny accent. That first day at school was a whole new opportunity to create a new persona.
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He's gone around the country stirring up apathy.
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God is either powerless, stupid or he doesn't give a shit.
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I'm from Miami, I love it when we're out in the heat. When it's cold, I'm like, 'I'm never acting again,' because it's too freezing.
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I keep trying to find ways to shift the viewer's attention away from the object they are looking at and toward their own perceptual process in relation to that object. The question for me always is: how can I make you aware of your own activity of looking, instead of losing your attention to thoughts about what it is that you are looking at?
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To understand any living thing, you must, so to say, creep within and feel the beating of its heart.
