William Faulkner Quotes
By artist I mean of course everyone who has tried to create something which was not here before him, with no other tools and material than the uncommer-ciable ones of the human spirit.
Quotes to Explore
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Here he tells us that the new birth is first of all 'not of blood'. You don't get it through the blood stream, through heredity. Your parents can give you much, but they cannot give you this.
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I was very lucky when I started doing comedy because I hadn't seen much stand-up. I just got up on stage and did it without thinking.
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Memory is a complicated thing, a relative to truth, but not its twin.
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French 'Vogue' was always a photographer's magazine.
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Vox populi vox dei: the voice of the people is the voice of God. The slogan was useful for those who first attempted to substitute the people for God as the source of political authority. Their attempt was ultimately so successful that God no longer seems to be needed in government.
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The 100m taught me a lot and it's given me confidence.
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I'm a self-taught musician aside from what I've been able to pick up from other players.
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The first thing I went out for was 'The Sopranos' and I got it, so that's how it happened. I hate to say it like that because I wait for calls now.
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My parents played the radio, but music was never an obsession or something that I thought I could call a career.
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Our culture is intent on taking the lines out of people's faces - surgically, with costly creams, and with fear and trembling - when, in fact, the opposite should be the case. As artists know, if there is anything behind a face, that face improves with age.
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When I was living in New York and didn't have a penny to my name, I would walk around the streets and occasionally I would see an alcove or something. And I'd think, that'll be good, that'll be a good spot for me when I'm homeless.
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The end of poetry is not to create a physical condition which shall give pleasure to the mind... The end of poetry is not an after-effect, not a pleasurable memory of itself, but an immediate, constant and even unpleasant insistence upon itself.
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We move sometimes. We send messages to each other. We talk on the phone. Tell me, what can we do?
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I don't study cricket too much. Whatever I have learned or experienced is through cricket I've played on the field, and whatever little I have watched.
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I came home after a year and although my profession was only hairdressing, I knew I could change it.
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Work is the meat of life, pleasure the dessert.
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The system of nature, of which man is a part, tends to be self-balancing, self-adjusting, self-cleansing. Not so with technology.
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Modeling has always played off my D.J.-ing, but it is a fun supplement.
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Equal pay for equal work continues to be seen as applying to equal pay for men and women in the same occupation, while the larger point of continuing relevance in our day is that some occupations have depressed wages because women are the chief employee. The former is a pattern of sex discrimination, the latter of institutionalized sexism.
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We [with Neal Dodson and Corey Moosa] spent a lot of time writing, for lack of a better word, this manifesto about what we wanted to do. We wanted to find work that was relevant socially and that didn't take audiences for granted.
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Disciples be damned. It's not interesting. It's only the masters that matter. Those who create.
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A subject that is beautiful in itself gives no suggestion to the artist. It lacks imperfection.
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By artist I mean of course everyone who has tried to create something which was not here before him, with no other tools and material than the uncommer-ciable ones of the human spirit.
